| Record ID | marc_loc_updates/v39.i42.records.utf8:13245895:1268 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i42.records.utf8:13245895:1268?format=raw |
LEADER: 01268nam a2200265 a 4500
001 2011454359
003 DLC
005 20111012103333.0
008 110624s2010 sz a bc 001 0 eng
010 $a 2011454359
020 $a9782970053033
020 $a2970053039
040 $aDLC$cDLC
042 $apcc
050 00 $aNC242.M7$bA4 2010b
100 1 $aMoore, Henry,$d1898-1986.
245 10 $aHenry Moore :$bprints and portfolios /$cDavid Mitchinson.
260 $aGeneva :$bPatrick Cramer,$cc2010.
300 $a407 p. :$bill. (some col.) ;$c32 cm.
500 $a"Published as a book in standard and deluxe editions, with an introduction in English ... followed by descriptions of seventy-three publications which contain original lithographs or etchings by Henry Moore"--P. 406.
500 $aThe deluxe ed. consists of 50 numbered copies, and includes a portfolio containing Moore's first etching, Composition for a poem by Herbert Reed, and last lithograph, Two women seated on beach, each numbered 1/50 to 50/50 and signed by the artist.
504 $aIncludes bibliographical references (p. 389-392) and indexes.
600 10 $aMoore, Henry,$d1898-1986$vCatalogs.
600 10 $aMoore, Henry,$d1898-1986$xCriticism and Interpretation.
700 1 $aMitchinson, David.