| Record ID | marc_loc_updates/v39.i42.records.utf8:5572500:1343 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i42.records.utf8:5572500:1343?format=raw |
LEADER: 01343cam a2200313 a 4500
001 2010052535
003 DLC
005 20111014141539.0
008 101217s2011 enk b 001 0 eng
010 $a 2010052535
016 7 $a015804154$2Uk
020 $a9780754641520 (hardback : alk. paper)
020 $a075464152X (hardback : alk. paper)
035 $a(OCoLC)ocn694616481
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX$dCDX$dUKMGB$dIUL$dDLC
050 00 $aPN2590.D58$bH95 2011
082 00 $a792.02/6$222
100 1 $aHyland, Peter,$d1943-
245 10 $aDisguise on the early modern English stage /$cPeter Hyland.
260 $aFarnham, Surrey, England ;$aBurlington, VT :$bAshgate Pub. Co.,$cc2011.
300 $a170 p. ;$c24 cm.
490 1 $aStudies in performance and early modern drama
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Disguise on the early modern stage -- The performance of disguise -- "Tis I" : revelations -- Disguise and genre -- Disguise as metatheatre -- The reception of disguise -- "Now am I most like my self" : disguise and identity.
650 0 $aTheater$zEngland$xHistory$y16th century.
650 0 $aTheater$zEngland$xHistory$y17th century.
650 0 $aDisguise$xHistory.
650 0 $aCostume$xHistory.
830 0 $aStudies in performance and early modern drama.