| Record ID | marc_loc_updates/v40.i05.records.utf8:18732702:1048 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i05.records.utf8:18732702:1048?format=raw |
LEADER: 01048nam a22002418a 4500
001 2012003869
003 DLC
005 20120127170338.0
008 120127s2012 nyu b 001 0 eng
010 $a 2012003869
020 $a9781419703881 (alk. paper)
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1998.3.E325$bG86 2012
082 00 $a791.4302/8092$aB$223
100 1 $aGoldman, Michael.
245 10 $aClint Eastwood :$ba master filmmaker at work /$cMichael Goldman.
260 $aNew York, NY :$bAbrams,$c2012.
263 $a1210
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aForeword / by Steven Spielberg -- Preface / by Morgan Freeman -- Introduction: good, creative, and prudent filmmaking -- The well oiled machine -- You like it or you don't -- The right places -- Watering the flower -- The darkness -- We'll figure it out -- Bummy colors -- Finding the moments -- What mood sounds like -- Joining the revolution -- Epilogue.
600 10 $aEastwood, Clint$xCriticism and interpretation.