| Record ID | marc_loc_updates/v40.i12.records.utf8:7827781:961 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i12.records.utf8:7827781:961?format=raw |
LEADER: 00961cam a2200265 a 4500
001 2011284711
003 DLC
005 20120315151011.0
008 111101s2011 enk 000 0 eng d
010 $a 2011284711
015 $aGBB0C2888$2bnb
020 $a9781848855878 (hbk.)
020 $a1848855877 (hbk.)
035 $a(OCoLC)ocn752824910
040 $aNLE$cNLE$dYDXCP$dUAT$dDLC
042 $alccopycat
050 00 $aPN1998.3.H58$bE45 2011
082 04 $a791.430233092$222
100 1 $aElliott, Paul,$d1972-
245 10 $aHitchcock and the cinema of sensations :$bembodied film theory and cinematic reception /$cPaul Elliott.
260 $aLondon ;$aNew York :$bI.B. Tauris :$bDistributed in U.S. exclusively by Palgrave Macmillan,$c2011.
300 $a231 p. ;$c22 cm.
490 0 $aInternational library of visual culture ;$vv. 2
600 10 $aHitchcock, Alfred,$d1899-1980$xCriticism and interpretation.
650 0 $aSenses and sensation in motion pictures.