| Record ID | marc_loc_updates/v40.i13.records.utf8:17143856:1397 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i13.records.utf8:17143856:1397?format=raw |
LEADER: 01397nam a22003018a 4500
001 2012009920
003 DLC
005 20120321174228.0
008 120319s2012 nju b 001 0 eng
010 $a 2012009920
020 $a9780813554495 (hardcover : alk. paper)
020 $a9780813554488 (pbk. : alk. paper)
020 $a9780813554501 (e-book)
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1996$b.F4553 2012
082 00 $a791.43/657$223
100 1 $aFischer, Lucy.
245 10 $aBody double :$bthe author incarnate in the cinema /$cLucy Fischer.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$c2012.
263 $a1301
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema.
650 0 $aMotion picture authorship.
650 0 $aAuteur theory (Motion pictures)
650 0 $aMotion pictures and literature.
650 0 $aAuthors in motion pictures.