| Record ID | marc_loc_updates/v40.i14.records.utf8:10073338:1202 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i14.records.utf8:10073338:1202?format=raw |
LEADER: 01202nam a22002777a 4500
001 2011456818
003 DLC
005 20120330090252.0
008 120113s2011 nyua b 001 0 eng d
010 $a 2011456818
016 7 $a015820501$2Uk
020 $a9780230243453
020 $a0230243452
035 $a(OCoLC)ocn713185435
040 $aBTCTA$beng$cBTCTA$dUKMGB$dYDXCP$dNLE$dBWX$dYOU$dCDX$dCUI$dDLC
042 $alccopycat
050 00 $aPN1584$b.P44 2011
082 04 $a791$222
245 00 $aPerformance perspectives :$ba critical introduction /$cedited by Jonathan Pitches and Sita Popat.
260 $aNew York :$bPalgrave Macmillan,$c2011.
300 $axx, 244 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 207-218) and index.
520 8 $aThis critical introduction to Performance Studies provides undergraduates with an accessible way into terminology and context. Using a tripartite structure that combines the voices of artists, critics and teachers, it addresses a variety of practices moving through body, space, time, technology, interactivity and organization.
650 0 $aPerforming arts.
700 1 $aPitches, Jonathan,$d1968-
700 1 $aPopat, Sita.