| Record ID | marc_loc_updates/v40.i22.records.utf8:16775337:1562 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i22.records.utf8:16775337:1562?format=raw |
LEADER: 01562nam a2200337 a 4500
001 2012563100
003 DLC
005 20120523145319.0
008 120507s2011 enk b 000 0deng d
010 $a 2012563100
016 7 $a015758593$2Uk
020 $a9781901447620
020 $a1901447626
035 $a(OCoLC)ocn712124317
035 $a(OCoLC)712124317
040 $aBTCTA$beng$cBTCTA$dUKMGB$dUKBCI$dBDX$dCLE$dOHRRH$dDLC
042 $alccopycat
050 00 $aML420.W13$bB76 2011
100 1 $aBrown, Jake.
245 10 $aTom Waits :$bin the studio /$cJake Brown.
260 $aLondon :$bCherry Red Books,$cc2011.
300 $a253 p. ;$c24 cm.
500 $a"An unauthorised publication"--Cover.
504 $aIncludes discography.
520 $a"Throughout the pages of Tom Waits: In the Studio, the creative processes behind the writing and recording of career highs, ranging from "The Heart of Saturday Night" and "Raindogs" in the 1970s and 80s, "Bone Machine" and "Mule Variations" in the 1990s and "Blood Money" and the more recent "Orphans, Brawlers, Bawlers and Bastards" in the new millennium, are explored via interviews with engineers and producers and quoted commentary from Waits himself."$cPublisher website.
600 10 $aWaits, Tom,$d1949-$xCriticism and interpretation.
600 10 $aWaits, Tom,$d1949-$xFriends and associates$vInterviews.
650 0 $aRock musicians$zUnited States.
650 0 $aComposition (Music)$xPsychology.
650 0 $aRock music$xHistory and criticism.
650 0 $aPopular music$xHistory and criticism.