| Record ID | marc_loc_updates/v40.i22.records.utf8:5349211:1367 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i22.records.utf8:5349211:1367?format=raw |
LEADER: 01367cam a22003254a 4500
001 2011012787
003 DLC
005 20120522175142.0
008 110330s2012 njua b s001 0 eng
010 $a 2011012787
020 $a9780813551852 (hardcover : alk. paper)
020 $a0813551854 (hardcover : alk. paper)
020 $a9780813551869 (pbk. : alk. paper)
020 $a0813551862 (pbk. : alk. paper)
035 $a(OCoLC)ocn710816440
040 $aDLC$cDLC$dYDX$dYDXCP$dNYP$dBWX$dDLC
042 $apcc
050 00 $aPN1995.9.T43$bP75 2012
082 00 $a778.5/3$222
100 1 $aPrince, Stephen,$d1955-
245 10 $aDigital visual effects in cinema :$bthe seduction of reality /$cStephen Prince.
260 $aNew Brunswick, N.J. :$bRutgers University Press,$cc2012.
300 $aix, 256 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : beyond spectacle -- Through the looking glass -- Painting with digital light -- Actors and algorithms -- Digital environment creation -- Immersive aesthetics -- Conclusion : the pleasures of illusion.
650 0 $aMotion picture industry$xTechnological innovations.
650 0 $aMotion pictures$xAesthetics.
650 0 $aDigital cinematography.
650 0 $aCinematography$xSpecial effects.
650 0 $aCinematography$xTechnological innovations.