| Record ID | marc_loc_updates/v40.i24.records.utf8:5989327:1369 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i24.records.utf8:5989327:1369?format=raw |
LEADER: 01369cam a2200289 a 4500
001 2011038590
003 DLC
005 20120611092059.0
008 110914s2012 nyua b 001 0 eng c
010 $a 2011038590
020 $a9780801450082 (cloth : alk. paper)
040 $aNIC/DLC$cNIC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.P6$bS26 2012
082 00 $a384/.8097309045$223
100 1 $aSbardellati, John,$d1973-
245 10 $aJ. Edgar Hoover goes to the movies :$bthe FBI and the origins of Hollywood's Cold War /$cJohn Sbardellati.
260 $aIthaca :$bCornell University Press,$c2012.
300 $aviii, 256 p. :$bill. ;$c24cm.
504 $aIncludes bibliographical references (p. 209-246) and index.
505 0 $aIntroduction : Hollywood's Red scare -- A movie problem -- The FBI's search for communist propaganda during the Second World War -- Producing Hollywood's Cold War -- The coalescence of a counter-subversive network -- The 1947 HUAC trials -- Rollback -- Conclusion : three perspectives on the death of the social problem film.
650 0 $aMotion pictures$xPolitical aspects$zUnited States$xHistory.
650 0 $aCold War in motion pictures.
650 0 $aCommunism and motion pictures$zUnited States.
650 0 $aCold War$xSocial aspects$zUnited States.
610 10 $aUnited States.$bFederal Bureau of Investigation.