| Record ID | marc_loc_updates/v40.i27.records.utf8:9569792:1810 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v40.i27.records.utf8:9569792:1810?format=raw |
LEADER: 01810nam a22003378i 4500
001 2012024716
003 DLC
005 20120627174706.0
008 120618s2012 nyu 000 0 eng
010 $a 2012024716
020 $a9781137276858 (hardback)
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aNX180.C65$bN54 2012
082 00 $a700/.411$223
084 $aSOC052000$aPER004030$aPER008010$2bisacsh
100 1 $aNiebisch, Arndt.
245 10 $aMedia parasites in the early avant-garde :$bon the abuse of technology and communication /$cArndt Niebisch.
260 $aNew York :$bPalgrave Macmillan,$c2012.
263 $a1212
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes"--$cProvided by publisher.
650 0 $aCommunication and the arts.
650 0 $aTechnology and the arts.
650 0 $aArts$xExperimental methods$xHistory$y20th century.
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism.$2bisacsh
650 7 $aPERFORMING ARTS / Radio / History & Criticism.$2bisacsh