MARC Record from Marygrove College

LEADER: 05109cam a2200973Ii 4500
001 ocm17106755
003 OCoLC
005 20191109071525.6
008 871019t19881988enka b 001 0 eng
010 $a 87030783
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035 $a(OCoLC)17106755$z(OCoLC)17264120$z(OCoLC)988505808
050 00 $aN72.F45$bP64 1988
080 $a7.071
080 $a754.9
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084 $a20.01$2bcl
084 $aLH 60200$2rvk
084 $aLH 62000$2rvk
084 $aMS 3200$2rvk
084 $aMS 8000$2rvk
084 $a20.31$2bcl
049 $aMAIN
100 1 $aPollock, Griselda,$eauthor.
245 10 $aVision and difference :$bfemininity, feminism, and histories of art /$cGriselda Pollock.
246 08 $aVision & difference.
264 1 $aLondon and New York :$bRoutledge,$c1988.
264 4 $c©1988
300 $a239 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aSpine title: Vision & difference.
504 $aIncludes bibliographical references (pages 225-230) and index.
505 0 $aFeminist interventions in the histories of art: an introduction -- Vision, voice, and power: feminist art histories and Marxism -- Modernity and the spaces of femininity -- Women as sign in Pre-Raphaelite literature : the representation of Elizabeth Siddall (written in collaboration with Deborah Cherry) -- A photo-essay: signs of femininity -- Woman as sign: psychoanalytic readings -- Screening the seventies: sexuality and representation in feminist practice- a Brechtian perspective.
520 $aThe publication of 'Vision and Difference' marked a milestone in the development of modern art history. Its introduction of a feminist perspective into this largely male-oriented discipline made shockwaves that are still felt forcefully today. Drawing upon feminist cultural theory previously little applied to the visual arts, Griselda Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only provides a feminist re-reading of the work of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt. Casting her critical eye over the contemporary art scene, Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction by Griselda Pollock, 'Vision and Difference' remains as powerful and as essential reading as ever for all those seeking not only to understand the history of the feminine in art but also to develop new strategies for representation for the future.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 17 $aRossetti, Dante Gabriel$d1828-1882$2gnd
650 0 $aFeminism and art.
650 04 $aBeeldende kunsten.
650 04 $aKunstgeschiedenis (wetenschap)
650 04 $aVrouwen.
650 6 $aFéminisme et art.
650 7 $aFeminism and art.$2fast$0(OCoLC)fst00922727
650 7 $aFrau$2gnd
650 7 $aFrauenbewegung$2gnd
650 7 $aKunst$2gnd
650 7 $aKunstgeschichtsschreibung$2gnd
650 7 $aKünstlerin$2gnd
650 17 $aBeeldende kunsten.$2gtt
650 17 $aKunstgeschiedenis (wetenschap)$2gtt
650 17 $aVrouwen.$2gtt
650 07 $aFrau.$2swd
653 $aVisual arts$aWomen artists$aHistoriology - Feminist viewpoints
710 2 $aRoutledge (Firm),$epublisher.
752 $aGreat Britain$bEngland$dLondon,$epublication place.$2naf
752 $aUnited States$bNew York (State)$dNew York,$epublication place.$2naf
776 08 $iOnline version:$aPollock, Griselda.$tVision and difference.$dLondon ; New York : Routledge, 1988$w(OCoLC)570082578
938 $aBaker and Taylor$bBTCP$n87030783
938 $aYBP Library Services$bYANK$n381560
994 $a92$bERR
976 $a31927000733557