MARC Record from Marygrove College

LEADER: 06445cam a2200913 a 4500
001 ocm20930321
003 OCoLC
005 20191109071533.7
008 890829s1990 wiua b s001 0 eng
010 $a 89040534
040 $aDLC$beng$cDLC$dUKM$dMUQ$dNLGGC$dBAKER$dBTCTA$dYDXCP$dGEBAY$dBDX$dPSM$dOCLCO$dOCLCF$dOCLCQ$dDEBBG$dOCLCQ$dZ5A$dOCLCQ$dCSJ$dOCLCO$dOCLCQ$dGILDS$dBGU$dAU@$dOCLCQ$dOCLCA
015 $aGB9034949$2bnb
019 $a22762976$a1022680044$a1057910809$a1059562350$a1060772757$a1061497261$a1065083705$a1066827513$a1081047898$a1082421426$a1083410697$a1084835049
020 $a0299124401
020 $a9780299124403
020 $a0299124444$q(pbk.)
020 $a9780299124441$q(pbk.)
029 1 $aAU@$b000006933824
029 1 $aDEBBG$bBV004201205
029 1 $aGBVCP$b116115564
029 1 $aGEBAY$b1477641
029 1 $aHEBIS$b014405431
029 1 $aHR0$b0299124401
029 1 $aNLGGC$b063603268
029 1 $aNZ1$b3782529
029 1 $aUKBRU$b0923836
029 1 $aUNITY$b009676813
029 1 $aYDXCP$b161592
029 1 $aYDXCP$b161593
035 $a(OCoLC)20930321$z(OCoLC)22762976$z(OCoLC)1022680044$z(OCoLC)1057910809$z(OCoLC)1059562350$z(OCoLC)1060772757$z(OCoLC)1061497261$z(OCoLC)1065083705$z(OCoLC)1066827513$z(OCoLC)1081047898$z(OCoLC)1082421426$z(OCoLC)1083410697$z(OCoLC)1084835049
043 $an-us---
050 00 $aGV1781.2$b.N68 1990
082 00 $a792.8$220
084 $a24.19$2bcl
084 $a71.59$2bcl
084 $aAP 83983$2rvk
084 $aLR 54550$2rvk
049 $aMAIN
100 1 $aNovack, Cynthia Jean.
245 10 $aSharing the dance :$bcontact improvisation and American culture /$cCynthia J. Novack.
260 $aMadison, Wis. :$bUniversity of Wisconsin Press,$c©1990.
300 $axvii, 258 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew directions in anthropological writing
504 $aIncludes bibliographical references and index.
505 0 $aContact improvisation and anthropological analysis -- Contact improvisation : an introduction -- Anthropological analysis : the body, movement, dance, and society -- Researching and writing an ethnographic history -- Contact improvisation's origins and influences -- The heritage of early modern dance -- The physical reality of the body : Merce Cunningham -- Improvisation and the theater of the body : Anna Halprin -- Science and sensuality : Erick Hawkins -- Social dance in the '60s -- Experimental dance and theater in the '60s -- Steve Paxton -- "You come. We'll show you what we do" : the initial development of contact improvisation -- The first years -- Performances, audiences, and new dancers -- Organization and the Contact quarterly -- Dance as "art-sport" : continuing the form -- A performance in 1978 -- Expansion -- Improvisation : Dance as Art-Sport Conference -- Contact at 10th and 2nd -- The continuing practice of contact improvisation -- Movement and meaning in contact improvisation -- Summary of the movement style -- Ballet and contact improvisation -- Cunningham technique and contact improvisation -- Contact improvisation as part of a movement environment -- Experiencing the body -- Learning contact improvisation -- Sensuousness and sexuality : the image and experience of touch -- Evaluation of the dancing -- Cultural symbols and aesthetic practices -- Physical necessity -- Physical law and nature -- Realizing the responsive body -- Improvisation -- Community, values and authority -- Spontaneity and decision-making -- Participation and performance : contact improvisation as a "folk art" -- Steve Paxton as a charismatic authority -- Contact improvisation as a national movement -- Hierarchy and egalitarianism -- Coherence and competition : the American Dance Guild conference -- The business of performance -- Using the dance form as a model for action -- Contact improvisation as a business -- Arts organization and postmodernism -- Contact improvisation as American culture.
520 $aIn Sharing the Dance, Cynthia Novack considers the development of contact improvisation within its web of historical, social, and cultural contexts. This book examines the ways contact improvisers (and their surrounding communities) encode sexuality, spontaneity, and gender roles, as well as concepts of the self and society in their dancing. While focusing on the changing practice of contact improvisation through two decades of social transformation, Novack's work incorporates the history of rock dancing and disco, the modern and experimental dance movements of Merce Cunningham, Anna Halprin, and Judson Church, among others, and a variety of other physical activities, such as martial arts, aerobics, and wrestling.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aImprovisation in dance$xHistory.
650 0 $aDance$xAnthropological aspects$zUnited States.
650 6 $aImprovisation (Danse)$xHistoire.
650 6 $aDanse$xAspect anthropologique$zÉtats-Unis.
650 7 $aDance$xAnthropological aspects.$2fast$0(OCoLC)fst00887405
650 7 $aImprovisation in dance.$2fast$0(OCoLC)fst00968315
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 17 $aDans.$2gtt
650 7 $aImprovisation$2gnd
650 7 $aTanz$2gnd
651 7 $aUSA$2gnd
651 7 $aUSA.$2swd
650 4 $aDanse - Aspect anthropologique - États-Unis.
650 4 $aImprovisation (Danse) - Histoire.
650 4 $aGeschichte.
651 4 $aUSA.
653 $aUnited States$aModern dance, history
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aNovack, Cynthia Jean.$tSharing the dance.$dMadison, Wis. : University of Wisconsin Press, ©1990$w(OCoLC)645301122
830 0 $aNew directions in anthropological writing.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0666/89040534-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0666/89040534-d.html
938 $aBaker & Taylor$bBKTY$c21.95$d21.95$i0299124444$n0001710753$sactive
938 $aBrodart$bBROD$n42186137$c$21.95
938 $aBaker and Taylor$bBTCP$n89040534$c$30.00
938 $aYBP Library Services$bYANK$n161593
994 $a92$bERR
976 $a31927000228988