MARC Record from Marygrove College

LEADER: 05036cam a2200769 a 4500
001 ocm24501139
003 OCoLC
005 20191109071421.9
008 910912s1992 nyua b 001 0 eng
010 $a 91032991
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020 $a0805783008$q(alk. paper)
020 $a9780805783001$q(alk. paper)
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035 $a(OCoLC)24501139
050 00 $aPS3553.A7894$bZ58 1992
055 3 $aPS3553.A787$bZ58 1992
082 00 $a813/.54$220
084 $a18.06$2bcl
084 $aHU 3329$2rvk
049 $aMAIN
100 1 $aCampbell, Ewing.
245 10 $aRaymond Carver :$ba study of the short fiction /$cEwing Campbell.
260 $aNew York :$bTwayne ;$aToronto :$bMaxwell Macmillan Canada ;$aNew York :$bMaxwell Macmillan International,$c©1992.
300 $axiii, 177 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTwayne's studies in short fiction series ;$vno. 31
504 $aIncludes bibliographical references (pages 162-169) and index.
505 00 $tpt. 1. The Short Fiction --$tApprenticeship: Will You Please Be Quiet, Please? --$tBreakthrough: What We Talk about When We Talk about Love --$tMaturity: Cathedral --$tMastery and Continued Growth: Where I'm Calling From --$tNotes to Part I --$tpt. 2. The Writer --$tIntroduction --$t"On Writing" --$t"An Interview with Raymond Carver" --$tpt. 3. The Critics --$tIntroduction --$tKathleen Westfall Shute --$tMark A.R. Facknitz --$tAdam Meyer.
520 $aPerhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. His 1981 collection, What We Talk about When We Talk about Love, remains the standard against which minimalist literature is measured, and his numerous prize-winning and frequently anthologized stories have established him as the extender of a modernist tradition stretching from Chekhov through Joyce and Hemingway. In his later collections, such as Cathedral (1983) and Where I'm Calling From (1988), Carver surpasses even his own great achievement, setting a bold new path for his short fiction and intensifying the scholarly attention he'd first inspired with "Will You Please Be Quiet, Please?" (anthologized in Best American Short Stories of 1967). Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aCarver, Raymond,$d1938-1988$xCriticism and interpretation.
600 16 $aCarver, Raymond,$d1938-1988$xCritique et interprétation.
600 17 $aCarver, Raymond,$d1938-1988.$2fast$0(OCoLC)fst01727805
600 17 $aCarver, Raymond$d1938-1988$2gnd
600 17 $aCarver, Raymond,$d(1938-1988)$xCritique et interprétation.$2ram
600 17 $aCarver, Raymond.$2swd
600 14 $aCarver, Raymond,$d1939-$xCriticism and interpretation.
650 0 $aShort story.
650 6 $aNouvelle.
650 7 $aShort story.$2fast$0(OCoLC)fst01117446
650 7 $aKurzgeschichte$2gnd
650 7 $aNouvelle.$2ram
655 7 $aShort stories.$2fast$0(OCoLC)fst01726740
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aShort stories.$2gsafd
655 7 $aShort stories.$2lcgft
655 0 $aShort story.
776 08 $iOnline version:$aCampbell, Ewing.$tRaymond Carver.$dNew York : Twayne ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ©1992$w(OCoLC)609591543
830 0 $aTwayne's studies in short fiction ;$vno. 31.
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780805783001.pdf
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