MARC Record from Marygrove College

LEADER: 07906cam a2201093 a 4500
001 ocm27680441
003 OCoLC
005 20191109072144.9
008 930212s1993 ncuaf b s001 0 eng
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050 00 $aNX550.A1$bS75 1993
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049 $aMAIN
100 1 $aSteinweis, Alan E.
245 10 $aArt, ideology & economics in Nazi Germany :$bthe Reich chambers of Music, Theater, and the Visual Arts /$cAlan E. Steinweis.
260 $aChapel Hill :$bUniversity of North Carolina Press,$c©1993.
300 $ax, 233 pages, 8 unnumbered pages of plates :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aBased on the author's doctoral dissertation at the University of North Carolina at Chapel Hill.
504 $aIncludes bibliographical references (pages 217-226) and index.
505 0 $aArt and culture in the Weimar Republic : the economic, institutional, and political context. The economic, institutional, and political context ; The Weimar system of professional representation ; The impact of the Depression ; The neocorporatist impulse ; National Socialism and the arts in the Weimar era -- Nazi coordination of the arts and the creation of the Reich Chamber of Culture, 1933. Nazification of the arts ; Toward a Kulturkammer -- Evolution of the Chamber System. Neocorporatism and Second Coordination, 1934-1936 ; Administrative centralization, 1935-1941 ; The struggle for control over civil servants ; The struggle over amateur artists and audiences -- The varieties of patronage, 1933-1939. Work creation ; Regulating the arts ; Conflicts over professionalization ; A balance sheet : prosperity amid hardship ; Altersversorgung : old-age pensions -- Germanizing the arts. The purge of Non-Aryans ; A Jewish chamber ; Other victims of Paragraph 10 ; The apparatus of censorship, 1933-1939 -- Mobilizing artists for war. Economic bust and boom ; The purge intensifies ; Wartime censorship ; Mobilization for total war -- Conclusion.
508 $aBased on the author's doctoral dissertation at the University of North Carolina at Chapel Hill.
520 $aFrom 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes. Steinweis argues that this generalization obscures a more complex reality. It overlooks continuities in the agenda of the German cultural establishment from the Weimar Republic through the Nazi period and presupposes a clearer distinction than actually existed between officialdom and the cultural elite, thereby overestimating the degree to which policy affecting artists originated outside the artistic world. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, showing in whose interest cultural policies were formulated. He discusses such issues as work creation, social insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis also contributes to an understanding of the response of German artists to cultural Gleichschaltung, or "coordination," and helps to explain the widespread acquiescence of German artists to artistic censorship and racial and political "purification."
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 17 $aGoebbels, Joseph$d1897-1945$2gnd
610 27 $aReichskulturkammer$2gnd
600 07 $aKünstler$2gnd
650 0 $aArts, German.
650 0 $aNational socialism and art.
650 0 $aArts$xEconomic aspects$zGermany.
650 1 $aNational socialism and art.
650 2 $aArts$xEconomic aspects$zGermany.
650 04 $aArts allemands.
650 04 $aKunstbeleid.
650 04 $aNationaal-socialisme.
650 04 $aNational-socialisme et art.
650 04 $aPolitique culturelle - Allemagne - 1900-1945.
650 7 $aArts$xEconomic aspects.$2fast$0(OCoLC)fst00817743
650 7 $aArts, German.$2fast$0(OCoLC)fst00818034
650 7 $aNational socialism and art.$2fast$0(OCoLC)fst01033786
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
650 7 $aDrittes Reich$2gnd
650 7 $aKulturpolitik$2gnd
650 17 $aKunstbeleid.$2gtt
650 17 $aNationaal-socialisme.$2gtt
650 7 $aArts allemands.$2ram
650 7 $aNational-socialisme et art.$2ram
650 7 $aPolitique culturelle$zAllemagne$y1900-1945.$2ram
650 07 $aKünstler.$2swd
648 7 $aGeschichte 1933-1945$2swd
740 0 $aArt, ideology, and economics in Nazi Germany.
776 08 $iOnline version:$aSteinweis, Alan.$tArt, ideology & economics in Nazi Germany.$dChapel Hill : University of North Carolina Press, ©1993$w(OCoLC)756466061
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=005861694&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005861694&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $3Table of contents$uhttp://swbplus.bsz-bw.de/bsz038346850inh.htm$v20090707084048
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