| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:117693246:3918 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:117693246:3918?format=raw |
LEADER: 03918cam a2200721 i 4500
001 ocm29844014
003 OCoLC
005 20191109071428.3
008 940201s1995 nyua b 000 0 eng
010 $a 94001449
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020 $a0140168249
020 $a9780140168242
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050 00 $aN72.5$b.S72 1995
082 00 $a700$220
084 $a20.02$2bcl
084 $aLH 61040$2rvk
084 $a701
049 $aMAIN
100 1 $aStaniszewski, Mary Anne,$eauthor.
245 10 $aBelieving is seeing :$bcreating the culture of art /$cMary Anne Staniszewski.
264 1 $aNew York :$bPenguin,$c1995.
300 $ax, 308 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 303-308).
505 0 $aWhat is Art? -- Art and the Modern Subject -- The Term "Art" -- Aesthetics: The Theory of Art -- The Privilege: Creating Art -- The Academy -- The Museum -- The Discipline: Art History and The Development of Modernism -- The Avant-Garde, Popular Culture, and the Creation of the Mass Media -- Art and Culture Today.
520 $aWhy are the paleolithic Venus of Willendorf, Michelangelo's Sistine Chapel frescoes, and Marcel Duchamp's ready-made urinal all considered works of art? Why, strictly speaking, is a Cindy Sherman photograph more "art-like" than a Da Vinci portrait? How did the painters and sculptors of the Renaissance see their creations? And who decides what art is today? In the tradition of Marshall McLuhan and John Berger, this learned and deliciously subversive book gives us a new way of seeing our artistic heritage. Believing Is Seeing is a work of multicultural scope and glittering intelligence that bridges the gulf between classical Japanese painting and the films of Spike Lee, between high theory and pop culture. Probing beyond the rhetorical surface of standard art histories and drawing on a panoramic array of illustrative material, Mary Anne Staniszewski throws a fresh light on individual works and the often mystifying criteria by which they are valued.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMasterpiece, Artistic.
650 0 $aCreation (Literary, artistic, etc.)
650 7 $aCreation (Literary, artistic, etc.)$2fast$0(OCoLC)fst00882393
650 7 $aMasterpiece, Artistic.$2fast$0(OCoLC)fst01011573
650 17 $aKunsttheorie.$2gtt
650 17 $aCreativiteit.$2gtt
650 17 $aMeesterwerken.$2gtt
653 0 $aArts$aAesthetics
710 2 $aPenguin Books USA, Inc.,$epublisher.
752 $aUnited States$bNew York (State)$dNew York.
776 08 $iOnline version:$aStaniszewski, Mary Anne.$tBelieving is seeing.$dNew York : Penguin, 1995$w(OCoLC)653340916
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy1207/94001449-t.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1207/94001449-d.html
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