MARC Record from Marygrove College

LEADER: 05101cam a2200805 a 4500
001 ocm33047255
003 OCoLC
005 20191109071900.1
008 950817s1995 pauab bk 001 0 eng
010 $a 95038564
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035 $a(OCoLC)33047255$z(OCoLC)862145931
043 $anwtr---
050 00 $aML3486.T7$bS78 1995
082 00 $a784.6/8$220
084 $a73.62$2bcl
049 $aMAIN
100 1 $aStuempfle, Stephen.
245 14 $aThe steelband movement :$bthe forging of a national art in Trinidad and Tobago /$cStephen Stuempfle.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c©1995.
300 $axx, 287 pages :$billustrations, maps ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 271-282) and index.
504 $aDiscography: pages 237-238.
505 0 $a1. Festive and Musical Traditions in Trinidad -- 2. The Emergence of the Steelband: The 1930s and 1940s -- 3. The Institutionalization of the Steelband: The 1940s and 1950s -- 4. The Steelband in the Post-Independence Era: The 1960s and 1970s -- 5. The Steelband in Contemporary Trinidad and Tobago -- 6. The Steelband: Cultural Creativity and the Construction of Identities.
520 $aThe Steelband Movement examines the dramatic transformation of pan from a Carnival street music into a national art and symbol in Trinidad and Tobago. By focusing on pan as a cultural process, Stephen Stuempfle demonstrates how the struggles and achievements of the steelband movement parallel the problems and successes of building a nation. Stuempfle explores the history of the steelband from its emergence around 1940 as an assemblage of diverse metal containers to today's immense orchestra of high-precision instruments with bell-like tones. Drawing on interviews with different generations of pan musicians (including the earliest), a wide array of archival material, and field observations, the author traces the growth of the movement in the context of the grass-roots uprisings of the 1930s and 1940s, the American presence in Trinidad in World War II, the nationalist movement of the postwar period, the aftermath of independence from Britain in 1962, the Black Power protests and the oil boom of the 1970s, and the recession of recent years. The Steelband Movement suggests that the history of pan has involved a series of negotiations between different ethnic groups, socioeconomic classes, and social organizations, all of which have attempted to define and use the music according to their own values and interests. This drama provides a window into the ways in which Trinidadians have constructed various visions of a national identity.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aSteel bands (Music)$zTrinidad and Tobago$xHistory.
650 0 $aPopular music$zTrinidad and Tobago$xHistory and criticism.
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aSteel bands (Music)$2fast$0(OCoLC)fst01132597
651 7 $aTrinidad and Tobago.$2fast$0(OCoLC)fst01211577
650 17 $aSteelbands.$2gtt
650 7 $aGeschichte$2gnd
651 7 $aTrinidad and Tobago$2gnd
650 07 $aSteelband.$2swd
650 7 $aMusique populaire$zTrinité-et-Tobago$xHistoire et critique.$2ram
650 7 $aSteel bands$zTrinité-et-Tobago$xHistoire et critique.$2ram
650 7 $aVie artistique$zTrinité-et-Tobago.$2ram
650 7 $a73.62 art (ethnology)$2nbc
653 0 $aPopular music$aTrinidad and Tobago$aHistory and criticism
653 0 $aSteel bands (Music)$aTrinidad and Tobago$aHistory
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aStuempfle, Stephen.$tSteelband movement.$dPhiladelphia : University of Pennsylvania Press, ©1995$w(OCoLC)639531548
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780812233292.pdf
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