Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:124038582:5561 |
Source | Marygrove College |
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LEADER: 05561cam a2200913 a 4500
001 ocm34604081
003 OCoLC
005 20191109072334.7
008 960415s1997 deua b s001 0 eng
010 $a 96002686
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050 00 $aPR2991$b.D26 1996
080 $a820(091)-2"15/16":396
082 00 $a822.3/3$220
049 $aMAIN
100 1 $aDash, Irene G.
245 10 $aWomen's worlds in Shakespeare's plays /$cIrene G. Dash.
260 $aNewark, Del. :$bUniversity of Delaware Press ;$aLondon ;$aCranbury, NJ :$bAssociated University Presses,$c©1997.
300 $a304 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 275-294) and index.
505 0 $aIntroduction: Worlds within worlds -- When women choose: all's well that ends well -- Male magic : a midsummer night's dream -- Conflicting loyalties: Hamlet -- Dependent identities: Macbeth -- Challenging conventions; Twelfth night -- Conclusion : the great globe itself.
520 $aFocusing on five Shakespeare plays, this book offers a fresh approach to the complex choices and decisions the women characters must face. Author Irene G. Dash scrutinizes stage productions over the centuries. Her exciting discoveries show the subtle ways the characters have been changed. By comparing promptbook versions from the eighteenth century to the present with the texts, Dash reveals how contemporary attitudes, spilling over into the theater, skew the works and diminish their breadth. Questions multiply as women attempt to understand relationship between the power of others over their lives and their own decisions about the moral responsibility for action. Shakespeare dramatizes these ideas. Dash shows how frequently such subtleties are lost on stage where roles are cut or reshaped, scenes transposed, or lines added. The author deftly analyzes the result of such changes. Lady Macbeth, for example, diminishes in complexity when the witches are transformed into dancing, singing choruses, or when Lady Macduff's murder disappears from the tragedy or when ironic lines are transformed. Comparing the seventeenth-century Davenant version and the twentieth-century Orson Welles film, Dash shows how these works illuminate Shakespeare's dramatic art.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aShakespeare, William,$d1564-1616$xCharacters$xWomen.
600 16 $aShakespeare, William,$d1564-1616$xPersonnages$xFemmes.
600 17 $aShakespeare, William,$d1564-1616$2fast$0(OCoLC)fst00029048
600 17 $aShakespeare, William.$2swd
650 0 $aWomen and literature$zEngland$xHistory$y16th century.
650 0 $aWomen and literature$zEngland$xHistory$y17th century.
650 0 $aDomestic drama, English$xHistory and criticism.
650 0 $aWomen$zEngland$xSocial conditions.
650 0 $aSex role in literature.
650 6 $aFemmes et littérature$zAngleterre$xHistoire$y16e siècle.
650 6 $aFemmes et littérature$zAngleterre$xHistoire$y17e siècle.
650 6 $aThéâtre bourgeois anglais$xHistoire et critique.
650 6 $aFemmes$zAngleterre$xConditions sociales.
650 6 $aRôle selon le sexe dans la littérature.
650 7 $aDomestic drama, English.$2fast$0(OCoLC)fst00896605
650 7 $aSex role in literature.$2fast$0(OCoLC)fst01114649
650 7 $aWomen and literature.$2fast$0(OCoLC)fst01177093
650 7 $aWomen in literature.$2fast$0(OCoLC)fst01177912
650 7 $aWomen$xSocial conditions.$2fast$0(OCoLC)fst01176947
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 7 $aFrau$gMotiv$2gnd
650 7 $aDrama$2gnd
648 7 $a1500-1699$2fast
653 $aWomen and literature -- England -- History -- 16th century
653 $aWomen and literature -- England -- History -- 17th century
653 $aDomestic drama, English -- History and criticism
653 $aWomen -- England -- Social conditions
653 $aSex role in literature
653 $aShakespeare, William, 1564-1616 -- Characters -- Women
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aDash, Irene G.$tWomen's worlds in Shakespeare's plays.$dNewark, Del. : University of Delaware Press ; London ; Cranbury, NJ : Associated University Presses, ©1997$w(OCoLC)745695359
856 41 $3Table of contents$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=3002265
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