MARC Record from Marygrove College

LEADER: 03500cam a2200613 a 4500
001 ocm36017109
003 OCoLC
005 20191109073024.3
008 961125s1997 vtua b 001 0 eng
010 $a 96040069
040 $aDLC$beng$cDLC$dNOR$dBAKER$dNLGGC$dYDXCP$dBTCTA$dKAAUA$dGEBAY$dCDS$dBDX$dOCLCF$dOCLCQ$dOCLCO$dOCLCA$dOCLCQ$dOCLCO$dSOI$dDHA$dOCLCQ$dBUB$dERR
020 $a0892815604
020 $a9780892815609
029 1 $aAU@$b000012895304
029 1 $aCBK$b052442535
029 1 $aGEBAY$b2763642
029 1 $aNLGGC$b154606111
029 1 $aNZ1$b4908623
029 1 $aUNITY$b052442535
029 1 $aYDXCP$b1395061
035 $a(OCoLC)36017109
050 00 $aMT50$b.M48 1997
082 00 $a781.2/5$221
084 $a24.75$2bcl
084 $a781.3
049 $aMAIN
100 1 $aMathieu, W. A.
245 10 $aHarmonic experience :$btonal harmony from its natural origins to its modern expression /$cW.A. Mathieu.
260 $aRochester, Vt. :$bInner Traditions International,$c©1997.
300 $axii, 563 pages :$billustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 532-537) and indexes.
505 00 $gpt. 1.$tHarmonic purity : feeling the numbers --$gpt. 2.$tThe selective use of equal temperament --$gpt. 3.$tThe functional commas of equal-tempered tonal harmony --$gpt. 4.$tHarmonic practice, analysis, and review of the theory.
520 $a"An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W.A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses."--Publisher's description.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aHarmony.
650 0 $aHarmony$xHistory.
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
650 17 $aHarmonieleer.$2gtt
650 7 $aHarmonische Tonalität$2gnd
650 07 $aHarmonische Tonalita#x1A;t.$2swd
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0644/96040069-t.html
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0644/96040069-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0644/96040069-d.html
938 $aBaker & Taylor$bBKTY$c50.00$d37.50$i0892815604$n0002849020$sactive
938 $aBrodart$bBROD$n49629778$c$50.00
938 $aBaker and Taylor$bBTCP$n96040069
938 $aYBP Library Services$bYANK$n1395061
994 $a92$bERR
976 $a31927002090527