MARC Record from Marygrove College

LEADER: 04733cam a2200805 a 4500
001 ocm37238986
003 OCoLC
005 20191109071425.2
008 970625s1997 ctua b 001 0 eng
010 $a 97026413
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035 $a(OCoLC)37238986$z(OCoLC)39270056$z(OCoLC)810750396$z(OCoLC)1008405976$z(OCoLC)1100375442$z(OCoLC)1120820383
041 1 $aeng$hfre
043 $an-us---
050 00 $aGT615$b.S74 1997
060 4 $a391.0097 S814f
082 00 $a391/.00973/0904$221
084 $a21.85$2bcl
084 $aTS941-09$2clc
049 $aMAIN
100 1 $aSteele, Valerie,$eauthor.
245 10 $aFifty years of fashion :$bnew look to now /$cValerie Steele ; photographs from the Museum at the Fashion Institute of Technology, New York, by Irving Solero.
260 $aNew Haven :$bYale University Press,$c©1997.
300 $avii, 167 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 163-164) and index.
505 00 $tThe New Look: Fashion after the War --$tCouture and Conformity: The 1950s --$tYouthquake: The 1960s --$tAnti-Fashion: The 1970s --$tExcess: The 1980s --$tFin de siècle: The 1990s.
520 $aValerie Steele begins by discussing the impact of the Second World War on the international fashion system, explaining, for example, how the success of Christian Dior's "New Look" was the result of sweeping social and economic changes that included a shift from the atelier to the global corporate conglomerate. In the 1950s, Steele argues, developments in the world of fashion were influenced by sexual politics and the anxieties associated with the Cold War: social conformity and gender stereotypes led to such phenomena as "wife dressing" and "the man in the gray flannel suit." Steele traces the fashion revolution of the 1960s, which smashed both social and sartorial rules as "swinging London" inaugurated its own new dictatorship of youth.
520 8 $aShe describes the rise of the women's movement and the hippies' anti-fashion sentiment, which ushered in a new freedom of choice in the 1970s, "the decade that taste forgot." She finds that the 1980s, often described as "the decade of greed," was actually a more complicated period, during which Calvin Klein jeans as well as suits by Armani became notorious yuppie status symbols. And she shows that the fashions of the 1990s, emphatically postmodernist, have repeatedly returned to the themes of retro, ethno, and techno styles.
546 $aTranslated from the French.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aClothing and dress$zUnited States$xHistory$y20th century.
650 0 $aFashion$zUnited States$xHistory$y20th century.
650 7 $aClothing and dress.$2fast$0(OCoLC)fst00864680
650 7 $aFashion.$2fast$0(OCoLC)fst00921600
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 17 $aMode.$2gtt
650 7 $aCostume$zUnited States$xHistory.$2sears
650 7 $aFashion$xHistory.$2sears
650 07 $aClothing and dess$zUnited States$xHistory$y20th century.$2wlcarwc
650 07 $aFashion$zUnited States$xHistory$y20th century.$2wlcarwc
648 7 $a1900-1999$2fast
655 4 $aExhibition catalogues.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aSolero, Irving,$ephotographer.
710 2 $aFashion Institute of Technology (New York, N.Y.).$bMuseum.
938 $aBaker & Taylor$bBKTY$c45.00$d45.00$i0300071329$n0003037307$sactive
938 $aBaker and Taylor$bBTCP$n97026413
938 $aYBP Library Services$bYANK$n1694243
994 $a92$bERR
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