It looks like you're offline.
Open Library logo
additional options menu

MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:129520491:4148
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:129520491:4148?format=raw

LEADER: 04148cam a2200745 a 4500
001 ocm38238447
003 OCoLC
005 20191109071425.6
008 971218s1999 nju b 001 0 eng
010 $a 97051314
040 $aDLC$beng$cDLC$dBAKER$dBTCTA$dYDXCP$dHEBIS$dCNCGM$dBDX$dOCLCO$dSBM$dOCLCF$dOCLCQ$dDEBBG$dOCL$dDHA$dOCLCQ
020 $a0874136601$q(alk. paper)
020 $a9780874136609$q(alk. paper)
029 1 $aAU@$b000013662185
029 1 $aGEBAY$b5887480
029 1 $aHEBIS$b071904611
029 1 $aNZ1$b864868
029 1 $aYDXCP$b1527674
029 1 $aDEBBG$bBV012427917
035 $a(OCoLC)38238447
043 $ae-uk-en
050 00 $aPR658.S59$bM38 1999
082 00 $a822/.309$221
084 $aHI 1264$2rvk
049 $aMAIN
100 1 $aMcJannet, Linda.
245 14 $aThe voice of Elizabethan stage directions :$bthe evolution of a theatrical code /$cLinda McJannet.
260 $aNewark :$bUniversity of Delaware Press ;$aLondon :$bAssociated University Presses,$c©1999.
300 $a240 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 222-230) and indexes.
530 $aAlso issued online.
505 0 $apt. 1. Typography: Page Design, Mimesis. 1. Distinguishing Directions from the Dialogue. 2. Speech Attributions. 3. Midscene Directions -- pt. 2. The Grammar and Rhetoric of Elizabethan Stage Directions. 4. Self-Conscious and Self-Effacing Directions. 5. Entries and Exits. 6. Action, Gesture, and Special Effects.
520 1 $a"Aimed at students of theater and of the drama as literature, this study highlights the form and voice of stage directions as an important aspect of dramatic discourse generally, and Elizabethan drama specifically. It traces the development of Elizabethan directions from their medieval forebears and contrasts the directions associated with the professional theaters with the neoclassical conventions of other venues. Author Linda McJannet reveals similarities that underlie observed differences in the directions of manuscripts and printed texts, and she analyzes the contribution of Elizabethan directions to the survival of Elizabethan and Jacobean drama, both in the theater and on the page."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 17 $aShakespeare, William.$2swd
600 17 $aShakespeare, William,$d1564-1616.$0(DE-588)118613723$2gnd
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xCriticism, Textual.
650 0 $aStage directions$xHistory$y16th century.
650 0 $aTheater$xProduction and direction$zEngland$xHistory$y16th century.
650 7 $aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950
650 7 $aStage directions.$2fast$0(OCoLC)fst01131311
650 7 $aTheater$xProduction and direction.$2fast$0(OCoLC)fst01149278
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 07 $aBühnenanweisung.$2swd
650 07 $aDrama.$2swd
651 7 $aEnglisch.$2swd
650 07 $aBühnenanweisung.$0(DE-588)4008737-2$2gnd
650 07 $aDrama.$0(DE-588)4012899-4$2gnd
650 07 $aEnglisch.$0(DE-588)4014777-0$2gnd
648 7 $a1500-1600$2fast
648 4 $aGeschichte 1590-1616.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aMcJannet, Linda.$tVoice of Elizabethan stage directions.$dNewark : University of Delaware Press ; London : Associated University Presses, ©1999$w(OCoLC)607116250
856 $uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008433438&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis
938 $aBaker & Taylor$bBKTY$c39.50$d39.50$i0874136601$n0003113981$sactive
938 $aBrodart$bBROD$n52490025$c$39.50
938 $aBaker and Taylor$bBTCP$n97051314
938 $aYBP Library Services$bYANK$n1527674
994 $a92$bERR
976 $a31927000660511