MARC Record from Marygrove College

LEADER: 04456cam a22006854a 4500
001 ocm43311793
003 OCoLC
005 20191109072315.4
008 000107s2000 wauaf b 001 0 eng
010 $a 00021303
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035 $a(OCoLC)43311793$z(OCoLC)702185845$z(OCoLC)871018815$z(OCoLC)1008425089$z(OCoLC)1022656353$z(OCoLC)1037553296$z(OCoLC)1061802770$z(OCoLC)1099072485
042 $apcc
043 $an-mx---
050 00 $aNB259.C384$bH47 2000
082 00 $a730/.92$aB$221
049 $aMAIN
100 1 $aHerzog, Melanie.
245 10 $aElizabeth Catlett :$ban American artist in Mexico /$cMelanie Anne Herzog.
260 $aSeattle :$bUniversity of Washington Press,$c©2000.
300 $axvi, 240 pages, 16 unnumbered pages of plates :$billustrations (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Jacob Lawrence series on American artists
504 $aIncludes bibliographical references (pages 219-236) and index.
520 1 $a"This illustrated and informative monograph is the first to document the full range of Catlett's life and work. In addition to thoroughly researching primary source materials and to critiquing individual art works with sensitivity and erudition, the author has conducted numerous interviews with Catlett and has analyzed with clarity the political context of her work and her diverse sympathies and allegiances. Herzog examines key artistic influences and shows how Catlett transformed an extraordinary stylistic vocabulary into a socially charged statement." "In tracing Catlett's long and continuing career as a graphic artist and sculptor in Mexico, Herzog explores an important period in Catlett's life between the 1950s and the 1970s about which almost nothing is known in the United States. She examines the "Mexicanness" in Catlett's work in its fluent relationship to the underlying and constant sense of African American identity she brought with her to Mexico. Herzog's solidly grounded interpretation offers a new way to understand Catlett's work and reveals this artist as a fascinating and pivotal intercultural figure whose powerful art manifests her firm belief that the visual arts can play a role in the construction of a meaningful identity, both transnational and ethnically grounded."--Jacket.
505 0 $aI Am a Negro as Well as a Woman : The Early Years, 1915-1946 -- I Am a Negro Woman : Encounters with Mexico, 1946-1947 -- Mexican History Got into Me : Printmaker, 1947-1966 -- You Can't Make a Statement If You Can't Speak the Language : Sculptor, 1955-1968 -- Negro Es Bello : The Black Arts Movement from Mexico, 1966-1975 -- For Liberation and for Life : After 1975 -- Conclusion. Celebrating Identities.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aCatlett, Elizabeth,$d1915-2012$xCriticism and interpretation.
600 17 $aCatlett, Elizabeth,$d1915-2012.$2fast$0(OCoLC)fst01797747
600 17 $aCatlett, Elizabeth.$2swd
600 14 $aCatlett, Elizabeth.
600 17 $aCatlett, Elizabeth$d1915-2012$2gnd
650 0 $aAfrican American sculptors$zMexico$xPsychology.
650 0 $aAfrican American women artists$zMexico$xPsychology.
651 7 $aMexico.$2fast$0(OCoLC)fst01211700
650 7 $aPlastik$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aJacob Lawrence series on American artists.
938 $aBaker & Taylor$bBKTY$c40.00$d30.00$i0295979402$n0003446272$sactive
938 $aBaker and Taylor$bBTCP$n00021303
938 $aIngram$bINGR$n9780295979403
938 $aYBP Library Services$bYANK$n1646706
994 $a92$bERR
976 $a31927000875341