MARC Record from Marygrove College

LEADER: 04549cam a22007694a 4500
001 ocm45023211
003 OCoLC
005 20191109072302.9
008 000907s2000 coua b 001 0 eng
010 $a 00043984
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035 $a(OCoLC)45023211$z(OCoLC)1022615648
042 $apcc
050 00 $aPN1995.9.N4$bR59 2000
082 00 $a791.43/6520396073$221
084 $a24.32$2bcl
049 $aMAIN
100 1 $aRocchio, Vincent F.$q(Vincent Floyd),$d1960-
245 10 $aReel racism :$bconfronting Hollywood's construction of Afro-American culture /$cVincent F. Rocchio.
260 $aBoulder, Colo. :$bWestview Press,$c2000.
300 $axiii, 235 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThinking through cinema
504 $aIncludes bibliographical references (pages 219-221) and index.
505 0 $a1. Introduction : revisiting racism and cinema -- 2. The birth of a (racist) nation(al) cinema -- 3. The Gods must be crazy (privileged, but crazy) -- 4. Driving Miss Daisy (because she's white and I'm not -- 5. Mississippi (and history) burning -- 6. A world apart (from the world of privilege) -- 7. School daze and the politics of appropriation -- 8. Do the right thing: style as confrontation -- 9. Daughters of the dust and the figurative as mode of resistance -- 10. The great white men of Lambarene and the limits of representation -- Epilogue : racism, representation, and the role of theory.
520 0 $aReel Racism: Confronting Hollywood's Construction of Afro-American Culture goes beyond reflection theories of the media to examine cinema's active participation in the operations of racism --a complex process rooted in the dynamics of representation. Written for undergraduates and graduate students of film studies and philosophy, Reel Racism focuses on methods and frameworks that analyze films for their production of meaning and how those meanings participate in a broader process of justifying, naturalizing, or legitimizing difference, privilege, and violence based on race. In addition to analyzing how the process of racism is articulated in specific films, Reel Racism examines how specific meanings can resist their function of ideological containment, and instead, offer a perspective of a more collective, egalitarian social system-- one that transcends the discourse of race.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aAfrican Americans in motion pictures.
650 0 $aCulture in motion pictures.
650 7 $aAfrican Americans in motion pictures.$2fast$0(OCoLC)fst00799733
650 7 $aCulture in motion pictures.$2fast$0(OCoLC)fst01902963
650 17 $aFilms.$2gtt
650 17 $aNegers.$2gtt
650 17 $aRassendiscriminatie.$2gtt
650 07 $aRassismus.$2swd
650 07 $aFilm.$2swd
776 08 $iOnline version:$aRocchio, Vincent F. (Vincent Floyd), 1960-$tReel racism.$dBoulder, Colo. : Westview Press, 2000$w(OCoLC)606481628
776 08 $iOnline version:$aRocchio, Vincent F. (Vincent Floyd), 1960-$tReel racism.$dBoulder, Colo. : Westview Press, 2000$w(OCoLC)607086136
830 0 $aThinking through cinema.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0831/00043984-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0831/00043984-d.html
856 42 $3The Classes of 1883 and 1884 Fund Home Page$uhttp://hdl.library.upenn.edu/1017.12/366298
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938 $aBaker and Taylor$bBTCP$n00043984
938 $aIngram$bINGR$n9780813367101
938 $aYBP Library Services$bYANK$n1694575
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