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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:1498405:3619
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:1498405:3619?format=raw

LEADER: 03619cam a2200781 i 4500
001 ocm00011904
003 OCoLC
005 20191109071157.1
008 690709s1969 njuagh b 001 0 eng
010 $a 69012821
040 $aDLC$beng$cDLC$dDRX$dUKM$dMUQ$dYBM$dBTCTA$dZWZ$dYDXCP$dGBVCP$dOCLCO$dUOI$dUKMGB$dOCLCF$dOCLCQ$dOCL$dOCLCO$dOCLCQ$dPHUST$dOCLCQ$dCSJ$dNLC$dOCLCQ$dCD5$dOCLCQ$dCNO$dCPO$dOCLCQ$dAU@$dOCLCQ$dUKWMD
015 $aGB6921139$2bnb
016 $a(AMICUS)000001948261
016 7 $a001694637$2Uk
016 7 $a013-60832$2Uk
019 $a11724058$a1019893197$a1030435066$a1103543880$a1120898500
020 $a0136083153$q(p)
020 $a9780136083153$q(p)
020 $a0136083234$q(c)
020 $a9780136083238$q(c)
029 1 $aAU@$b000000032037
029 1 $aAU@$b000026343353
029 1 $aAU@$b000048013360
029 1 $aDEBSZ$b053095251
029 1 $aGBVCP$b195395050
029 1 $aNLC$b000001948261
029 1 $aNZ1$b15818275
029 1 $aNZ1$b2895002
029 1 $aNZ1$b751846
029 1 $aUKBCI$b023535598
029 1 $aUKBNS$b023535598
029 1 $aUKPMH$b0136083234
029 1 $aUKPMH$b023535598
029 1 $aUNITY$b023535598
029 1 $aUNITY$b074363522
035 $a(OCoLC)00011904$z(OCoLC)11724058$z(OCoLC)1019893197$z(OCoLC)1030435066$z(OCoLC)1103543880$z(OCoLC)1120898500
043 $an-us---
050 00 $aML200$b.H58
082 00 $a780/.973
049 $aMAIN
100 1 $aHitchcock, H. Wiley$q(Hugh Wiley),$d1923-2007.
245 10 $aMusic in the United States :$ba historical introduction /$cH. Wiley Hitchcock.
260 $aEnglewood Cliffs, N.J. :$bPrentice-Hall,$c[1969]
300 $a270 pages :$billustrations, music, facsimiles ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPrentice-Hall history of music series
504 $a"Bibliographical notes" at end of each chapter.
505 0 $aPart 1: To 1820 -- Sacred music in New England and other colonies --Secular music in the urban centers -- Part 2: 1820-1920 -- Cultivated and vernacular traditions and the impact of romanticism -- The cultivated tradition, 1820-1865 -- The vernacular tradition, 1820-1920 -- The cultivated tradition, 1865-1920 -- Charles E. Ives -- Part 3: After 1920 -- The 1920's -- The 1930's and early 1940's -- After World War II -- Intersections, interactions, projections.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMusic$zUnited States$xHistory and criticism.
650 6 $aMusique$zÉtats-Unis$xHistoire et critique.
650 7 $aMusic$2fast$0(OCoLC)fst01030269
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aMusique$zÉtats-Unis$xHistoire et critique.$2ram
650 07 $aMusic$zUnited States$xHistory and criticism.$2wlcarwc
653 0 $aMusic$aU.S
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aHitchcock, H. Wiley (Hugh Wiley), 1923-2007.$tMusic in the United States.$dEnglewood Cliffs, N.J., Prentice-Hall [1969]$w(OCoLC)592465458
776 08 $iOnline version:$aHitchcock, H. Wiley (Hugh Wiley), 1923-2007.$tMusic in the United States.$dEnglewood Cliffs, N.J., Prentice-Hall [1969]$w(OCoLC)609544370
830 0 $aPrentice-Hall history of music series.
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780136083153.pdf
938 $aBaker and Taylor$bBTCP$n69012821
938 $aYBP Library Services$bYANK$n100554999
994 $a92$bERR
976 $a31927001051355