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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:151344737:3103
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:151344737:3103?format=raw

LEADER: 03103cam a22006254a 4500
001 ocm51848622
003 OCoLC
005 20191109071807.3
008 030226s2003 caua b 001 0deng
010 $a 2003042972
040 $aDLC$beng$cDLC$dBAKER$dCRH$dBTCTA$dYDXCP$dJBO$dIG#$dGEBAY$dBDX$dOCLCF$dNGA$dOCLCQ$dOCLCO$dUKTTE$dOCLCQ
020 $a0764923498
020 $a9780764923494
029 1 $aAU@$b000024505496
029 1 $aGEBAY$b7226993
029 1 $aIG#$b9780764923494
029 1 $aNZ1$b7573698
029 1 $aUNITY$b093645309
029 1 $aYDXCP$b1991742
035 $a(OCoLC)51848622
042 $apcc
050 00 $aN6537.S2$bC37 2003
080 $a7 SAAR CAR
082 00 $a709/.2$221
049 $aMAIN
100 1 $aCarpenter, Jane H.
245 10 $aBetye Saar /$cJane H. Carpenter with Betye Saar.
260 $aSan Francisco, Calif. :$bPomegranate,$c©2003.
300 $ax, 116 pages :$billustrations (chiefly color) ;$c29 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPomegranate catalog ;$vno. A656
490 1 $aThe David C. Driskell series of African American art ;$vv. 2
504 $aIncludes bibliographical references and index.
505 0 $a1. California dreams -- 2. Mystic windows -- 3. Ancestral boxes -- 4. Liberation -- 5. Women's work -- 6. Bridge of memory -- 7. A thousand words -- Betye Saar chronology.
520 $a"Considered one of America's premier assemblage artists, Betye Saar has been creating inspired pieces since the early 1960s. Saar began her career with printmaking, enameling, and costume design and then expanded to three dimensional assemblages and installations, exploring such subjects as mysticism, heritage, and women's work. Saar transforms orginary objects like keepsakes, old photographs, dried flowers, fabric scraps, and other materials into memory boxes invested with profound emotional power. The artist's imagery, drawn from social and political movements, spiritual systems, and visual cultures, blends black aesthetics, feminist art, and African art with modern and postmodern movements, popular culture, and personal memories."
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aSaar, Betye$xCriticism and interpretation.
600 17 $aSaar, Betye.$2fast$0(OCoLC)fst00048936
600 17 $aSaar, Betye.$2swd
600 14 $aSaar, Betye,$d1926-
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aSaar, Betye.
830 0 $aPomegranate catalog ;$vno. A656.
830 0 $aDavid C. Driskell series of African American art ;$vv. 2.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/fy043/2003042972.html
938 $aBaker & Taylor$bBKTY$c35.00$d31.50$i0764923498$n0004190122$sactive
938 $aBrodart$bBROD$n01326538$c$35.00
938 $aBaker and Taylor$bBTCP$n2003042972
938 $aIngram$bINGR$n9780764923494
938 $aYBP Library Services$bYANK$n1991742
994 $a92$bERR
976 $a31927000643137