| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:159832949:3737 |
| Source | Marygrove College |
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LEADER: 03737cam a22006014a 4500
001 ocm57319916
003 OCoLC
005 20191109072401.8
008 041220r20051946nyua 001 0 eng
010 $a 2004065738
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050 00 $aML3003$b.J362 2005
082 00 $a782.2/2/092$222
049 $aMAIN
100 1 $aJeppesen, Knud,$d1892-1974.
245 14 $aThe style of Palestrina and the dissonance /$cby Knud Jeppesen ; with an introduction by Edward J. Dent.
260 $aMineola, NY :$bDover Publications,$c2005.
300 $a306 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This Dover edition, first published in 1970 and reprinted in 2005, is an unabridged republication, with corrections, of the second revised and enlarged edition originally published in 1946 by Oxford University Press"--Title page verso.
500 $aIncludes index.
520 $aThe greatest Renaissance creator of liturgical music, the revered sixteenth-century composer known as Palestrina wrote works that served for centuries as models of counterpoint. Until The Style of Palestrina and the Dissonance, theoreticians seldom closely analyzed the composer's work to discover its fundamental elements, including the handling of rhythm, line, and harmony.
520 8 $aBeginning chapters discuss the standard use of rhythm and mensuration in Palestrina's time, the ecclesiastical modes, and setting of words. Author Knud Jeppesen proceeds to explore Palestrina's music in terms of the elements that constitute his personal style, isolating unusual harmonic lines and establishing common and uncommon interval skips and rhythmic accents.
520 8 $aThe heart of the book presents a modern empirical treatment of dissonance. Palestrina's contrapuntal technique forged new harmonic devices, placing dissonance on unaccented beats and highlighting text in very unorthodox ways for his time. These new uses of dissonance and resolution are explored in meticulous detail. In addition, Jeppesen includes a complete history of the evolving concept and treatment of dissonance before Palestrina, including quotations from the earliest theoretical.
520 8 $aWorks and numerous musical examples that illustrate the practices of Palestrina's predecessors. Book jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aPalestrina, Giovanni Pierluigi da,$d1525?-1594$xHarmony.
600 17 $aPalestrina, Giovanni Pierluigi da,$d1525?-1594.$2fast$0(OCoLC)fst00017547
650 0 $aDissonance (Music)
650 0 $aMusic$y16th century$xHistory and criticism.
650 7 $aDissonance (Music)$2fast$0(OCoLC)fst00895449
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
648 7 $a1500-1599$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 41 $3ACLS Humanities E-Book$uhttp://hdl.handle.net/2027/heb.06336
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0619/2004065738-d.html
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