| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:160069064:4883 |
| Source | Marygrove College |
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008 041229s2005 paua b s001 0 eng
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050 00 $aN8262.7$b.H85 2005
082 00 $a704.9/4913343$222
084 $aLC 41005$2rvk
049 $aMAIN
100 1 $aHults, Linda C.
245 14 $aThe witch as muse :$bart, gender, and power in early modern Europe /$cLinda C. Hults.
260 $aPhiladelphia :$bUniversity of Pennsylvania,$c©2005.
300 $axiv, 345 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 263-324) and index.
505 0 $aThe witch as woman -- The witch as muse -- Inventing the witch in the European heartland : Dürer and Baldung -- Francken, the rhetoric of Habsburg power, and artistic invention in Antwerp -- The art of describing delusion : De Gheyn and the Dutch variant -- Rosa : witchcraft and the fiery painter -- Between enlightenment and horror : Goya's reinvention of the witch.
520 1 $a"Occult topics have long fascinated artists, and the subject of witches - their imagined bodies and fantastic rituals - was a popular one for painters and print-makers in early modern Europe. Focusing on several artists in depth. Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions." "While studying the work of such artists as Durer, Baldung, Jacques de Gheyn II, and Goya. Hults discerns patterns suggesting that the imagery of witchcraft served as both an expression of artistic license and as a tool of self-promotion for the artists."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aWitches in art.
650 0 $aWitchcraft in art.
650 0 $aGender identity in art.
650 0 $aArt, European$y16th century.
650 0 $aArt, European$y17th century.
650 0 $aWitchcraft$zEurope$xHistory$y16th century.
650 0 $aWitchcraft$zEurope$xHistory$y17th century.
650 6 $aSorcières dans l'art.
650 6 $aSorcellerie dans l'art.
650 6 $aIdentité sexuelle dans l'art.
650 6 $aArt européen$y16e siècle.
650 6 $aArt européen$y17e siècle.
650 6 $aSorcellerie$zEurope$xHistoire$y16e siècle.
650 6 $aSorcellerie$zEurope$xHistoire$y17e siècle.
650 7 $aArt, European.$2fast$0(OCoLC)fst00816244
650 7 $aGender identity in art.$2fast$0(OCoLC)fst00939604
650 7 $aWitchcraft.$2fast$0(OCoLC)fst01176327
650 7 $aWitchcraft in art.$2fast$0(OCoLC)fst01176341
650 7 $aWitches in art.$2fast$0(OCoLC)fst01905157
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
650 7 $aHexe$gMotiv$2gnd
650 7 $aKunst$2gnd
651 7 $aEuropa$2gnd
651 7 $aEuropa.$2swd
648 7 $aGeschichte 1500-1700$2swd
648 7 $a1500-1699$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aHults, Linda C.$tWitch as muse.$dPhiladelphia : University of Pennsylvania, ©2005$w(OCoLC)597791016
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