Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:169344800:4020 |
Source | Marygrove College |
Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:169344800:4020?format=raw |
LEADER: 04020cam a2200733 a 4500
001 ocm82672541
003 OCoLC
005 20191109072756.6
008 070122s2007 it a 001 0 eng
010 $a 2009293303
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050 00 $aN6494.T73$bV47 2007
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082 04 $a709.04$222
049 $aMAIN
100 1 $aVergine, Lea.
245 10 $aWhen trash becomes art :$bTRASH rubbish mongo /$cLea Vergine.
260 $aMilan :$bSkira ;$a[London] :$b[Thames & Hudson [distributor],$c2007.
300 $a179 pages :$billustrations (some color) ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This book is based on the exhibition Trash. Quando i rifiuti diventano arte, held at MART, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, in 1997"--Title page verso.
500 $aIncludes index.
520 1 $a"Why have artists employed - and why do they continue to employ - trash? Trash that has been incorporated, photographed, "treated", emphasised, camouflaged or "corrected", but which still remains trash, that is, something that belongs in a garbage can or a dump. We ourselves have been discarded or rejected by other human beings; more or less on a daily basis, we are forced to recover, scrape together and reassemble fragments of ourselves." "As we look at Alberto Burri's used sacks or the details of corpses photographed in the morgue by Andres Serrano, we might recall the voice of Cathy Berberian, capable of blending fine music with "pop" music; we might listen to a composition by Paolo Castaldi; we might reread certain lists by Bohumil Hrabal or certain "frisbees" by Giulia Niccolai; we might think back to certain film sequences by Abel Ferrara or other vocal collages by Meredith Monk ... and, as we do, we might realise that twentieth-century culture is packed with recovered material, reuses and contaminations, shreds, fragments, discards and "noise"."--Jacket.
505 0 $aIntroduction / Lea Vergine -- Artworks -- Fragments of writings by artists -- Illustrated chronology of the use of trash / edited by Rosella Ghezzi.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aTrash art$vExhibitions.
650 0 $aRefuse and refuse disposal in art$vExhibitions.
650 7 $aRefuse and refuse disposal in art.$2fast$0(OCoLC)fst01092974
650 7 $aTrash art.$2fast$0(OCoLC)fst01155525
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
710 2 $aMuseo d'arte moderna e contemporanea di Trento e Rovereto.
776 08 $iOnline version:$aVergine, Lea.$tWhen trash becomes art.$dMilan : Skira ; [London : Thames & Hudson, [distributor], 2007$w(OCoLC)649071829
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938 $aBaker and Taylor$bBTCP$nBK0006845985
938 $aCasalini Libri$bCASA$n06531776$c15.00 EUR
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