MARC Record from Marygrove College

LEADER: 04662cam a2200853 a 4500
001 ocn551722259
003 OCoLC
005 20191109071940.9
008 100302s2010 caua b s001 0 eng
010 $a 2010008919
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016 $a015572015$2Uk
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035 $a(OCoLC)551722259$z(OCoLC)719475678$z(OCoLC)769661737
037 $bUniv of California Pr, California/Princeton 1445 Lower Ferry rd, Ewing, NJ, USA, 08618, (609)8831759$nSAN 630-639X
043 $an-us---
050 00 $aML3506$b.A444 2010
082 00 $a781.65/5$222
049 $aMAIN
100 1 $aAke, David Andrew,$d1961-
245 10 $aJazz matters :$bsound, place, and time since bebop /$cDavid Ake.
246 30 $aSound, place, and time since bebop
260 $aBerkeley :$bUniversity of California Press,$c©2010.
300 $aix, 199 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRoth Family Foundation music in America imprint
500 $a"Roth Family Foundation Music in America imprint"--Preliminary page.
504 $aIncludes bibliographical references (pages 151-186) and index.
505 0 $aPart 1. Sound and time. Being (and becoming) John Coltrane : listening for jazz "subjectivity" ; Musicology beyond the score and the performance : making sense of the creak on Miles Davis's "Old folks" ; Sex mob and the carnivalesque in post-war jazz -- Part 2. Place and time. Race, place, and nostalgia after the counterculture : Keith Jarrett and Pat Metheny on ECM ; Rethinking jazz education ; Negotiating national identity among American jazz musicians in Paris -- Appendix 1 : Sample of American jazz musicians born since 1950 who studied jazz at the college level -- Appendix 2 : Interview locations and dates.
520 $aWhat, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He uses provocative case studies to illustrate how some of the values ascribed to the postwar jazz culture are reflected in and fundamentally shaped by aspects of sound, location, and time.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aJazz$xHistory and criticism.
650 0 $aJazz$xSocial aspects.
650 7 $aJazz.$2fast$0(OCoLC)fst00982165
650 7 $aJazz$xSocial aspects.$2fast$0(OCoLC)fst00982185
650 7 $aJazz$2gnd
650 7 $aJazz$yGeschichte.$2idsbb
650 7 $aJazz.$2idszbz
650 7 $aModern jazz$xhistoria$x1945-$2sao
650 7 $aModern jazz$xsociala aspekter.$2sao
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aRoth Family Foundation music in America imprint.
856 42 $uhttp://books.google.com/books?isbn=9780520266889$zAdditional Information at Google Books
938 $aBrodart$bBROD$n11397454$c$24.95
938 $aCoutts Information Services$bCOUT$n12350780
938 $aTheodore Front Musical Literature$bTFRT$nTF283936
938 $aYBP Library Services$bYANK$n3320097
938 $aBlackwell Book Service$bBBUS$nR2867055$c$60.00
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