MARC Record from Marygrove College

LEADER: 04901cam a2200805 i 4500
001 ocn668194693
003 OCoLC
005 20191109073609.8
007 ta
008 120313s2012 enka b 001 0 eng
010 $a 2012010607
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019 $a803895493$a804039298$a826814697$a1058731026$a1059570283
020 $a9781844676903
020 $a1844676900
020 $z9781844677962$q(ebook)
020 $a1844677966
020 $a9781844677962
029 1 $aAU@$b000048875845
029 1 $aCHBIS$b007550913
029 1 $aCHDSB$b005995699
029 1 $aCHSLU$b001190240
029 1 $aCHVBK$b122284194
029 1 $aCHVBK$b199543275
029 1 $aCHVBK$b332315614
029 1 $aNZ1$b14301150
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035 $a(OCoLC)668194693$z(OCoLC)803895493$z(OCoLC)804039298$z(OCoLC)826814697$z(OCoLC)1058731026$z(OCoLC)1059570283
042 $apcc
050 00 $aN6494.I57$bB57 2012
055 0 $aN 6494 .I57B57 2012X ROBARTS
080 $a706.5
080 $a709.5
080 $a709
082 00 $a709.04/07$223
084 $aJ198$2clc
049 $aMAIN
100 1 $aBishop, Claire.
245 10 $aArtificial hells :$bparticipatory art and the politics of spectatorship /$cClaire Bishop.
264 1 $aLondon ;$aNew York :$bVerso Books,$c2012.
300 $a382 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 287-363) and index.
505 0 $aThe social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation.
520 $a"Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as 'social practice.' Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism."--Page 4 of cover.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aInteractive art.
650 6 $aArt interactif.
650 7 $aInteractive art.$2cct
650 7 $aArt and Design.$2eflch
650 7 $aInteractive art.$2fast$0(OCoLC)fst00975979
650 7 $aEngagierte Kunst$2gnd
650 7 $aBeteiligung$2gnd
650 7 $aPublikum$2gnd
655 4 $aElectronic books.
938 $aBrodart$bBROD$n12344877$c$26.95
938 $aBaker and Taylor$bBTCP$nBK0009284738
938 $aCoutts Information Services$bCOUT$n15576584
938 $aErasmus Boekhandel$bERAA$nNTS0000127543
938 $aWorldwide Books$bWWBK$n143796
938 $aYBP Library Services$bYANK$n3639590
938 $aYBP Library Services UK$bYBPK$n3639590
938 $aBlackwell Book Service$bBBUS$n3639590
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