| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:187368115:4143 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:187368115:4143?format=raw |
LEADER: 04143cam a2200757 a 4500
001 ocn669751138
003 OCoLC
005 20191109071717.7
008 120126s2011 enk b 001 0 eng d
010 $a 2012561020
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042 $alccopycat
050 00 $aML3470$b.R64 2011
082 04 $a781.64$223
083 0 $a781.64
084 $aJ652.1$2clc
049 $aMAIN
100 1 $aRojek, Chris.
245 10 $aPop music, pop culture /$cChris Rojek.
260 $aCambridge, U.K. ;$aMalden, Mass. :$bPolity Press,$c2011.
300 $a237 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 221-231) and indexes.
505 0 $aWhy 'pop', not 'popular'? -- The field of pop music study -- The urban-industrial backbeat -- Structuralist approaches -- Agency approaches -- Roots -- Corporations and independents -- Artists, managers and audiences -- Technology and media -- Co-operative labour, Inc.
520 $aWhat is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes. This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aPopular music$xHistory and criticism.
650 0 $aPopular culture$y21st century.
650 0 $aMusic trade.
650 7 $aPopular music$xHistory and criticism.$y21st century.$2cct
650 7 $aPopular culture$y21st century.$2cct
650 7 $aMusic trade.$2fast$0(OCoLC)fst01030641
650 7 $aPopular culture.$2fast$0(OCoLC)fst01071344
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPop-Kultur$2gnd
650 7 $aPopmusik$2gnd
650 7 $aMusic.$2eflch
648 7 $a2000-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 42 $uhttp://books.google.com/books?isbn=9780745642642$zAdditional Information at Google Books
938 $aBrodart$bBROD$n12503983$c$24.95
938 $aBaker and Taylor$bBTCP$nBK0009298801
938 $aCoutts Information Services$bCOUT$n15547030
938 $aYBP Library Services$bYANK$n3537765
938 $aBlackwell Book Service$bBBUS$n3537764
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976 $a31927002090782