Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:188902233:5378 |
Source | Marygrove College |
Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:188902233:5378?format=raw |
LEADER: 05378cam a22007934a 4500
001 ocn703871121
003 OCoLC
005 20191109073552.8
008 110215s2011 ncuaf b 001 0 eng c
010 $a 2011006447
040 $aNcD/DLC$beng$cDLC$dYDX$dYDXCP$dUKMGB$dCOO$dBWX$dZCU$dIG#$dCDX$dPUL$dYUS$dERASA$dBDX$dCIA$dNLGGC$dOCLCF$dNYWWB$dS3O$dAUAAR$dOCLCQ$dAVA$dVTU$dWLU$dERL$dIII$dUKOBU$dCTU$dUKUOY$dOCLCQ$dEQF$dDCT$dOCLCQ
015 $aGBB172244$2bnb
015 $aGBB177948$2bnb
016 7 $a015826022$2Uk
016 7 $a015836990$2Uk
019 $a700406644$a774912443$a811472483$a1008419448$a1039566284
020 $a9780822349723$q(cloth ;$qalk. paper)
020 $a0822349728$q(cloth ;$qalk. paper)
020 $a9780822349877$q(pbk. ;$qalk. paper)
020 $a0822349876$q(pbk. ;$qalk. paper)
024 8 $a40019876077
029 1 $aAU@$b000046699536
029 1 $aNLGGC$b334397804
029 1 $aNZ1$b14006619
029 1 $aUKMGB$b015826022
029 1 $aUKMGB$b015836990
029 1 $aUNITY$b124827071
035 $a(OCoLC)703871121$z(OCoLC)700406644$z(OCoLC)774912443$z(OCoLC)811472483$z(OCoLC)1008419448$z(OCoLC)1039566284
042 $apcc
050 00 $aBH301.C84$bK478 2011
080 $a709$bKES
082 00 $a709.05/1$222
084 $a24.05$2bcl
049 $aMAIN
100 1 $aKester, Grant H.
245 14 $aThe one and the many :$bcontemporary collaborative art in a global context /$cGrant H. Kester.
246 30 $aContemporary collaborative art in a global context
260 $aDurham :$bDuke University Press,$c2011.
300 $ax, 309 pages, 8 unnumbered pages of plates :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 229-293) and index.
505 0 $aThe semantics of collaboration -- Art practice and the intellectual baroque -- Autonomy, Antagonism, and the Aesthetic. From text to action -- Park fiction, ala plastica, and dialogue -- Relational antagonism -- The risk of diversity -- Programmatic multiplicity -- Art theory and the post-structuralist canon -- The Genius of the Place. Lessons in futility -- Enclosure acts -- The twelfth seat and the mirrored ceiling -- The atelier as workshop -- Labor, praxis, and representation -- The divided and incomplete subject of yesterday -- Memories of development -- The limits of ethical capitalism -- The art of the locality -- Eminent Domain : Art and Urban Space. Blindness and insight -- The invention of the public -- The boulevards of the inner city -- Park fiction : desire, resistance, and complicity -- A culture of needles : project row houses in Houston.
520 $a"Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publicized projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production"--Publisher description.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArtistic collaboration.
650 0 $aCreation (Literary, artistic, etc.)
650 0 $aArt$xPhilosophy.
650 7 $aArt and Design.$2eflch
650 7 $aArt$xPhilosophy.$2fast$0(OCoLC)fst00815307
650 7 $aArtistic collaboration.$2fast$0(OCoLC)fst00817556
650 7 $aCreation (Literary, artistic, etc.)$2fast$0(OCoLC)fst00882393
650 7 $aKonstnärligt skapande.$2sao
650 7 $aSamarbete.$2sao
650 7 $aOffentlig konst.$2sao
856 41 $uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037$zView this book online, via DawsonERA, both on- and off-campus
856 42 $uhttp://lib.leeds.ac.uk/search/febook3212209$zThis title is also available as an eBook. Click here.
856 42 $uhttp://lib.leeds.ac.uk/record=b3212209$zThis title is also available in print. Click here.
938 $aBrodart$bBROD$n13278215$c$24.95
938 $aCoutts Information Services$bCOUT$n17416604
938 $aErasmus Boekhandel$bERAA$nNTS0000132858
938 $aIngram$bINGR$n9780822349723
938 $aWorldwide Books$bWWBK$n147198
938 $aYBP Library Services$bYANK$n6900414
938 $aYBP Library Services$bYANK$n3609708
994 $a92$bERR
976 $a31927002077722