MARC Record from Marygrove College

LEADER: 04377cam a22008294a 4500
001 ocn795909497
003 OCoLC
005 20191109072042.4
008 120614s2013 enkag b 001 0deng
010 $a 2012024504
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015 $aGBB291479$2bnb
016 7 $a016168244$2Uk
019 $a809937707
020 $a9781107005891$q(hardback ;$qalk. paper)
020 $a1107005892$q(hardback ;$qalk. paper)
020 $z40022060250
020 $a2206025000
020 $a9782206025001
024 8 $a40022060250
029 1 $aAU@$b000049547283
029 1 $aCHBIS$b007319293
029 1 $aCHDSB$b006033019
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029 1 $aUKMGB$b016168244
035 $a(OCoLC)795909497$z(OCoLC)809937707
042 $apcc
050 00 $aML410.B42$bM33 2013
082 00 $a780.92$223
084 $a780.92$223
049 $aMAIN
100 1 $aMathew, Nicholas.
245 10 $aPolitical Beethoven /$cNicholas Mathew.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c2013.
300 $axvii, 273 pages :$billustrations, music ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew perspectives in music history and criticism
504 $aIncludes bibliographical references (pages 237-265) and index.
505 0 $aIntroduction: political collaborations -- Music between myth and history -- Beethoven's moments -- The sounds of power and the power of sound -- The inner public -- After the war.
520 $a"Musicians, music lovers, and music critics have typically considered Beethoven's overtly political music as an aberration - at best, it is merely notorious; at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological, and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xAppreciation.
600 17 $aBeethoven, Ludwig van,$d1770-1827.$2fast$0(OCoLC)fst00042803
600 17 $aBeethoven, Ludwig van$d1770-1827$2gnd
600 17 $aBeethoven, Ludwig van,$d1770-1827.$2gnd$0(DE-601)133447375
600 14 $aBeethoven, Ludwig van,$d1770-1827.
650 0 $aMusic$xPolitical aspects$xHistory.
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aMusic$xPolitical aspects.$2fast$0(OCoLC)fst01030414
650 7 $aMusik$2gnd
650 7 $aPolitik$2gnd
650 7 $aPolitik$2gnd$0(DE-601)104152206
650 7 $aMusic.$2ukslc
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aNew perspectives in music history and criticism.
856 41 $uhttp://dx.doi.org/10.1017/CBO9780511794483$xProvider: Cambridge University Press$xpurchased$xeLoaderURL$xcb4$xcbCR9780511794483$zAvailable to Stanford-affiliated users.
938 $aBaker and Taylor$bBTCP$nBK0012255192
938 $aErasmus Boekhandel$bERAA$nNTS0000149533
938 $aIngram$bINGR$n9781107005891
938 $aYBP Library Services$bYANK$n7504348
938 $aYBP Library Services UK$bYBPK$n7504348
938 $aBlackwell Book Service$bBBUS$n7504348
994 $a92$bERR
976 $a31927000990181