MARC Record from Marygrove College

LEADER: 04550cam a22007811i 4500
001 ocm00362982
003 OCoLC
005 20191109073212.9
008 730213s1956 maug b 001 0 eng
010 $a 56008551
040 $aDLC$beng$cDLC$dUKM$dNLGGC$dBTCTA$dOCLCG$dZWZ$dGEBAY$dCIRBC$dOCLCO$dOCLCF$dOCLCA$dOCLCQ$dOCL$dCFT$dDEBBG$dNLC$dDHA$dOCLCQ$dLUE$dOCLCO$dCSJ$dOCLCO$dOCLCQ$dXFF$dOCLCO$dCSA$dOCLCO$dOCLCQ$dOCLCO$dCNO$dLWA$dOCLCO$dOCL$dAQ3$dBOS$dCPO$dOCLCO$dCSO$dOCLCO$dSNN$dOCLCQ$dOCLCO$dCPS$dOCLCQ$dOCLCO$dAU@$dOCLCO$dOCLCQ$dOCLCO$dOCLCQ$dUKMGB$dQE2$dCBA$dOCLCO$dOCLCQ$dOCLCO$dBUF$dOCLCO$dOCLCA
015 $aGB5615494$2bnb
016 $a(AMICUS)000001215906
016 7 $a009651543$2Uk
019 $a973823512$a976785692$a1027306025
029 1 $aAU@$b000000636686
029 1 $aAU@$b000012534947
029 1 $aAU@$b000021244547
029 1 $aAU@$b000023883124
029 1 $aDEBBG$bBV008490915
029 1 $aDEBSZ$b096980087
029 1 $aGEBAY$b11222531
029 1 $aNLC$b000001215906
029 1 $aNLNZL$b994137963502836
029 1 $aNZ1$b3890961
029 1 $aNZ1$b413796
029 1 $aUKMGB$b009651543
029 1 $aUNITY$b007133634
029 1 $aZWZ$b014916916
035 $a(OCoLC)00362982$z(OCoLC)973823512$z(OCoLC)976785692$z(OCoLC)1027306025
050 00 $aML3547$b.N4
055 0 $aML3547$b.N4
082 00 $a781.71
084 $a780.89$223
084 $a24.70$2bcl
084 $aLS 49000$2rvk
084 $aLS 21000$2rvk
084 $a9,2$2ssgn
049 $aMAIN
100 1 $aNettl, Bruno,$d1930-
245 10 $aMusic in primitive culture /$cby Bruno Nettl.
260 $aCambridge :$bHarvard University Press,$c1956.
300 $axviii, 182 pages, music (16 pages) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $a"Annotated bibliography": pages 145-166.
505 0 $a1. Introduction -- 2. The role of music in primitive culture [The functions of primitive music -- Musical specialization within primitive groups -- Techniques of composition -- The process of evaluation -- The relationship of music and language] -- 3. The development and disciplines of ethnomusicology [The development of ethnomusicology -- Theories and methods of research] -- 4. Scale and melody [Construction and types of scales -- Melodic range, contour, and intervals -- Other characteristics of primitive melodies -- Theory of tonal organization -- Summary] -- 5. Rhythm and form [The definition and origin of rhythm -- Rhythmic organization -- Classifications of form -- The meaning of "complexity" -- Other aspects of form -- Conclusions] -- 6. Polyphony [Definition of primitive polyphony -- Theories on origin -- Heterophony -- Parallel intervals -- Imitation -- Other types of polyphony -- Conclusions] -- 7. Musical instruments [Classifications of instruments -- Theories of instrument distribution -- Case studies -- Determining the age of instruments -- Instrument symbolism] -- 8. American primitive music north of Mexico [The Eskimo-Northwest Coast music area -- The Great Basin music area -- The California-Yuman music area -- The Plains-Pueblo music area -- The Athabascan music area -- The Eastern music area -- Chronological development of American Indian music] -- 9. African and New World Negro music [The background of African music -- The origins of New World Negro music -- New World Negro music today] -- 10. Primitive music in perspective [Theories on the origin of music -- Reconstructing the history of primitive music] -- Annotated bibliography -- Notes -- Index -- Examples of primitive music.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMusic$xHistory and criticism.
650 7 $aMusic.$2aiatsiss
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aNaturvolk$2gnd
650 7 $aMusik$2gnd
650 17 $aEtnomusicologie.$2gtt
650 7 $aEthnomusicologie.$2ram
650 7 $aSociété primitive$xEt la musique.$2ram
650 7 $aFolklore$xHistoire et critique.$2ram
650 07 $aNaturvolk.$2swd
650 07 $aMusik.$2swd
655 7 $aMusic.$2fast$0(OCoLC)fst01423855
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aMusic.$2lcgft
776 08 $iOnline version:$aNettl, Bruno, 1930-$tMusic in primitive culture.$dCambridge, Harvard University Press, 1956$w(OCoLC)619981776
938 $aBaker and Taylor$bBTCP$n56008551
994 $a92$bERR
976 $a31927001052627