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MARC Record from Marygrove College

Record ID marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:28943107:4925
Source Marygrove College
Download Link /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:28943107:4925?format=raw

LEADER: 04925cam a2200565Ia 4500
001 ocm00365898
003 OCoLC
005 20191109071318.8
007 ta
008 720726s1962 nyu b 000 0deng
010 $a 62011941
040 $aDLC$beng$cWSU$dSER$dGZM$dCWS$dWY@$dAU@$dHEBIS$dDEBBG$dCNNWL$dOCLCO$dOCLCF$dOCLCQ$dFC@$dCNUTO$dJ9U$dOCLCO$dOCLCQ$dTXI$dCPO$dSNN$dOCLCQ$dOCLCA$dOCLCQ$dU3G$dOCLCQ
016 7 $aBA06512290$2JP-ToKJK
019 $a13600350$a249656736$a878464311$a978073797$a1049421638$a1051612825$a1069448763$a1087147997
029 1 $aAU@$b000005471521
029 1 $aAU@$b000023953790
029 1 $aAU@$b000028093492
029 1 $aDEBBG$bBV003407049
029 1 $aDEBSZ$b005006899
029 1 $aHEBIS$b126583285
029 1 $aNLGGC$b147139007
029 1 $aZWZ$b014923181
035 $a(OCoLC)00365898$z(OCoLC)13600350$z(OCoLC)249656736$z(OCoLC)878464311$z(OCoLC)978073797$z(OCoLC)1049421638$z(OCoLC)1051612825$z(OCoLC)1069448763$z(OCoLC)1087147997
050 00 $aPR6019.O9$bP646
082 00 $a823.912$220
084 $aHM 3135$2rvk
049 $aMAIN
245 00 $aPortraits of an artist :$ba casebook on James Joyce's "A Portrait of the Artist as a Young Man" /$cWilliam E. Morris [and] Clifford A. Nault, Jr.
250 $a[1st ed.].
260 $aNew York :$bOdyssey Press,$c[1962]
300 $a298 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references as footnotes.
505 00 $gPart I:$tSome preliminary considerations ;$tThe Joyce enigma /$rRichard M. Kain --$tA chronology of the life of James Joyce /$rRichard Ellmann --$tThemes, styles, and episodes /$rWilliam Powell Jones --$gPart II:$tImpact ;$tRejection by a publisher's reader /$rEdward Garnett --$tEarly reviews and notices /$rMarvin Magalaner --$gPart III:$tSome readings ; Joyce's "Portrait" /$rHarry Levin --$tThe portrait in perspective /$rHugh Kenner --$tOn "A Portrait of the Artist as a Young Man" /$rDorothy Van Ghent --$tThe calling of Stephen Dedalus /$rEugene M. Waith --$tThe perceptions of James Joyce /$rJohn V. Kelleher --$gPart IV:$tArt and autobiography/autobiography and art ;$tTen passages from the Life of the artist /$rRichard Ellmann --$tClongowes Wood and Belvedere /$rKevin Sullivan --$tLimerick for Ezra Pound /$rJames Joyce --$gPart V:$tOn the esthetic theory ;$tThe "Eagle" epiphany /$rJames Joyce --$tPassing through Eccles' St /$rJames Joyce --$tIntroduction /$rTheodore Spencer --$tJoyce's epiphanies /$rIrene Hendry Chayes --$t"Quidditas" in the tragi-comedy of Joyce /$rRudd Flemming --$tJames Joyce : esthetic freedom and dramatic art /$rJames R. Baker --$tJoyce's categories /$rEllsworth Mason --$tBergson and Stephen Dedalus' aesthetic theory /$rShiv K. Kumar --$tA pennyworth of Thomism /$rWilliam T. Noon, S.J. --$tThe role of structure in Joyce's 'Portrait' /$rGrant H. Redford --$tStream of consciousness in the "Portrait" /$rMelvin Friedman --$gPart VI:$tSeven further considerations ;$tThe role of structure in Joyce's "Portrait" /$rGrant H. Redford --$tStream of consciousness in the "Portrait" /$rMelvin Friedman --$tImage and symbol in the "Portrait" /$rWilliam York Tindall --$tMotif in the "Portrait" /$rMarvin Magalaner --$tJames Joyce : a study in words /$rJoseph Prescott --$tJoyce's hell-fire sermons /$rElizabeth F. Boyd --$tWho is Betty Byrne? /$rJulian B. Kaye --$tThe sacrificial butter /$rC.G. Anderson --$gPart VII:$tAids and suggestions.
520 $aThe following collection makes no attempt to exhaust the possibly inexhaustible variety of Joyce's novel. Indeed, a casebook many times the lenght of this one, which included selections from the entire bibliography, could scarcely do that. On the other hand, the collections does provide expert guidance into portions of the Joycean labyrinth, and any number of threads the reader can follow to take him where they will. Rather than an end in itself, the text is intended as no more than a starting point, or, shifting the metaphor, as a skeletal frame upon which the attentive reader can and should contruct his own interpretations.
583 $acommitment to retain$c20151208$2pda$5OTUTLD
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 10 $aJoyce, James,$d1882-1941.$tPortrait of the artist as a young man.
630 07 $aPortrait of the artist as a young man (Joyce, James)$2fast$0(OCoLC)fst01356513
600 17 $aJoyce, James$d1882-1941$tA portrait of the artist as a young man$2gnd
600 17 $aJoyce, James.$2swd
630 07 $aPortrait of the artist as a young man.$2swd
700 1 $aMorris, William E.$4edt
700 1 $aNault, Clifford A.,$d1926-$4edt
776 08 $iOnline version:$tPortraits of an artist.$b[1st ed.].$dNew York : Odyssey Press, [1962]$w(OCoLC)609572526
994 $a92$bERR
976 $a31927002032495