| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:35004087:3700 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:35004087:3700?format=raw |
LEADER: 03700cam a2200913 i 4500
001 ocm00418461
003 OCoLC
005 20191109072108.3
008 720829s1972 enka b 001 0 eng
010 $a 74158098
040 $aDLC$beng$cDLC$dCIN$dNLGGC$dBTCTA$dCBC$dMUQ$dSHS$dDEBBG$dOH@$dUKBOL$dGBVCP$dOCLCF$dCCD$dOCL$dOCLCA$dEUW$dOCLCQ$dCSA$dXFF$dNLC$dCSJ$dRC0$dOCLCO$dOCLCQ$dOCLCO$dGILDS$dCNO$dCCH$dOCLCQ$dTYC$dCPS$dCPO$dOCLCQ$dOCLCO$dBGU$dOCLCO$dOCLCQ$dBUF$dOCLCQ$dOCLCO$dOCLCA
016 $a(AMICUS)000001284434
016 7 $a071-48149$2Uk
019 $a387619$a682372$a1164992$a844708378$a1008225640
020 $a0714814954
020 $a9780714814957
020 $a0714816795
020 $a9780714816791
029 1 $aAU@$b000000319648
029 1 $aAU@$b000012438124
029 1 $aAU@$b000051152360
029 1 $aDEBBG$bBV003683846
029 1 $aDEBSZ$b005265657
029 1 $aGBVCP$b030349826
029 1 $aGBVCP$b075590271
029 1 $aHR0$b0714814954
029 1 $aNLC$b000001284434
029 1 $aNZ1$b4199959
029 1 $aNZ1$b52425
029 1 $aUKBCI$b056714130
029 1 $aUKBNS$b056714130
029 1 $aUKSCO$b056714130
029 1 $aUKSGC$b056714130
029 1 $aUKSOM$b056714130
029 1 $aUNITY$b056714130
035 $a(OCoLC)00418461$z(OCoLC)387619$z(OCoLC)682372$z(OCoLC)1164992$z(OCoLC)844708378$z(OCoLC)1008225640
050 00 $aN6370$b.G58 1972
055 1 $aN7740.G6
082 00 $a704.94/6
082 04 $a709/.02/4
084 $a20.70$2bcl
084 $aLH 65720$2rvk
086 0 $aED 1.302:M 42/14
088 $a74158098
049 $aMAIN
100 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.
245 10 $aSymbolic images /$cby E.H. Gombrich.
260 $aLondon :$bPhaidon [distributed by Praeger, New York],$c[1972]
300 $aviii, 247 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in the art of the Renaissance ;$v2
504 $aIncludes bibliographical references (page 236).
505 0 $aAims and limits of iconology -- Tobias and the angel -- Botticelli's mythologies: a study in the neo-Platonic symbolism of his circle -- An interpretation of Mantegna's 'Parnassus.'--Raphael's Stanza della segnatura and the nature of its symbolism -- Hypnerotomachiana -- The Sala dei Venti in the Palazzo del Te -- The subject of Poussin's Orion -- Icones symbolicae: philosophies of symbolism and their bearing on art.
520 $aThese studies on the interpretation of images focus on the greatest artists of the Renaissance - notably Botticelli, Leonardo, Raphael and Michelangelo - and all reflect the author's concern with standards, values and problems of method.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aSymbolism in art.
650 0 $aArt, Renaissance.
650 2 $aArt$xhistory.
650 6 $aSymbolisme dans l'art.
650 6 $aArt de la Renaissance.
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
650 7 $aSymbolism in art.$2fast$0(OCoLC)fst01140771
650 7 $aKunst$2gnd
650 7 $aRenaissance$2gnd
650 7 $aSymbol$2gnd
650 17 $aBeeldende kunsten.$2gtt
650 17 $aSymbolen.$2gtt
650 17 $aRenaissance.$2gtt
650 17 $aIconologie.$2gtt
648 7 $aGeschichte 1400-1600.$2swd
653 0 $aArt, Renaissance
653 0 $aSymbolism in art
800 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.$tStudies in the art of the Renaissance ;$v2.
938 $aBaker and Taylor$bBTCP$n74158098
994 $a92$bERR
976 $a31927000079407