MARC Record from Marygrove College

LEADER: 02172cam a2200421 4500
001 ocm00435550
003 OCoLC
005 20191109071234.5
008 681107t19681954nyuab b 000 0 eng
010 $a 68009003
040 $aDLC$beng$cDLC$dBTCTA$dOCLCG$dMLN$dMCN$dOCLCF$dOCLCQ$dOPT$dVNS
029 1 $aAU@$b000000696379
035 $a(OCoLC)00435550
037 $c$15.00
043 $af------
050 00 $aNB1080$b.G8 1968
080 0 $aNB1080.G8 1968
082 00 $a730/.967
049 $aMAIN
100 1 $aGuillaume, Paul,$d1891-1934.
245 10 $aPrimitive Negro sculpture,$cby Paul Guillaume and Thomas Munro, with illustrations from the collection of the Barnes Foundation at Merion, Pennsylvania.
260 $aNew York,$bHacker Art Books,$c1968 [©1954]
300 $a134 pages$billustrations, map$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aThe growth of interest in African art -- Writings on the subject -- The method of the present study -- Its relation to African life -- The Negro mind -- The art-producing peoples -- Types of art-work produced -- Its artistic qualities -- How a Negro statue differs from others -- Design in sculpture; the principles of Negro art -- The mask as a sculptural design -- The perception of sculptural form -- The effects of past experience and association -- The growth of a primitive art-form -- Its chief traditions -- The problem of distinguishing traditional forms -- Gabun -- Sudan -- Ivory Coast -- Congo -- Minor traditions -- Benin -- Dahomey -- Guinea -- Its relation to contemporary art.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt, African.
650 7 $aArt, African.$2fast$0(OCoLC)fst00815861
700 1 $aMunro, Thomas,$d1897-
710 2 $aBarnes Foundation.
776 08 $iOnline version:$aGuillaume, Paul, 1891-1934.$tPrimitive Negro sculpture.$dNew York, Hacker Art Books, 1968 [©1954]$w(OCoLC)649594469
938 $aBaker and Taylor$bBTCP$n68009003
994 $a92$bERR
976 $a31927000080595