MARC Record from Marygrove College

LEADER: 06135cam a2200589 i 4500
001 ocm00600069
003 OCoLC
005 20191109071226.2
008 740610s1967 nyuacgh 000 0 eng
010 $a 67019821
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016 $a(AMICUS)000001077063
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020 $a0671207350$q(pbk.)
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020 $a0671208349
020 $a9780671208349
029 1 $aAU@$b000023893529
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029 1 $aZWZ$b181730308
029 1 $aNLC$b000001077063
029 1 $aAU@$b000065082501
035 $a(OCoLC)00600069$z(OCoLC)5686841$z(OCoLC)34616572$z(OCoLC)637128232$z(OCoLC)1055457197$z(OCoLC)1103545324
050 00 $aML402.S387$bG7
055 1 $aML402
082 00 $a780.922
049 $aMAIN
100 1 $aSchonberg, Harold C.,$eauthor.
245 14 $aThe great conductors /$cHarold C. Schonberg.
260 $aNew York :$bSimon and Schuster,$c[1967]
300 $a384 pages :$billustrations, facsimiles, music, portraits ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"'He is of commanding presence, infinite dignity, fabulous memory, vast experience, high temperament and serene wisdom. He has been tempered in the crucible but he is still molten and he glows with a fierce inner light. He is many things: musician, administrator, executive, minister, psychologist, technician, philosopher and dispenser of wrath. Like many great men, he has come from humble stock; and, like many great men in the public eye, he is instinctively an actor. As such, he is an egoist. He has to be. Without infinite belief in himself and his capabilities, he is as nothing. Above all, he is a leader of men. His subjects look to him for guidance. He is at once a father image, the great provider, the fount of inspiration, the Teacher who knows all ... . He has but to stretch out his hand and he is obeyed. He tolerates no opposition. His will, his word, his very glance, are law.' With this pyrotechnical description of the genus, Harold Schonberg begins his historical survey of the Great Conductors and their art. For the great conductor--from the time-beater of the thirteenth century to the maestro of today--is always the inspired leader who can impose his authority on the musicians who make up his orchestra. Thus it was with Bach, whom Schonberg pictures leading his forces seated at the clavier or with violin at his shoulder, and singing any part that was being wrongly performed. Thus it was with Handel, who threatened to throw a prima donna out of the window if she would not sing the notes as written. Thus it was even with Beethoven, because of his deafness a tragically bad conductor, who nevertheless tried to impose his will on the performers by practically creeping under the desk for pianissimo and jumping high with outstretched arms for the opposite. Before us through the pages of this book march the great conductors of the past and of the present. Schonberg evokes Lully, who beat time on the floor with a cane--so powerfully that he drove it into his foot on one occasion and died of the resulting gangrene. We meet Berlioz, 'in constant motion on the podium, exuding electricity ... who held absolute sway over his troops and played on them as a pianist upon the keyboard,' and Mendelssohn, the gentle, well-mannered aristocrat who ripped up scores and screamed at musicians who showed up drunk and fractious. And so through all the important composer-conductors--Wagner, Liszt, Mahler, Strauss. Then the moderns: the elemental Arturo Toscanini, the loving Bruno Walter, the witty and acrimonious Thomas Beecham--on and on to the youngest to earn a chapter to himself, the phenomenal Leonard Bernstein. With biography, anecdote, vivid description, and more than a hundred well-chosen prints and photographs, Mr. Schonberg gives a striking picture of each of these men, and dozens of others, showing just how and why they influenced the performance of classical music and how they developed a new and modern art--the art of conducting."--Dust jacket.
505 0 $aThe genus -- From Elias Salomon to divided leadership -- Bach and Handel -- Haydn, Mozart and Beethoven -- Orchestras, tuning and audiences -- The arrival of the stick -- Weber and Spontini -- François-Antoine Habeneck -- Hector Berlioz -- Mendelssohn and the German school -- Richard Wagner -- The scene in England -- Franz Liszt -- Hans von Bülow -- The Wagner school : Richter and others -- America and Theodore Thomas -- The big three in France -- Arthur Nikisch -- Karl Muck -- Gustav Mahler -- Richard Strauss -- Felix Weingartner -- The Italians and Toscanini -- Willem Mengelberg -- Wilhelm Furtwängler -- Bruno Walter -- Sir Thomas Beecham -- Serge Koussevitzky -- Leopold Stokowski -- Otto Klemperer and the German school -- The modern French school -- From Central Europe -- The foreign-born contingent in the United States -- Leonard Bernstein -- Present and future.
530 $aAlso issued online.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aConductors (Music)$vBiography.
650 7 $aConductors (Music)$2fast$0(OCoLC)fst00874600
650 7 $aChefs d'orchestre$xHistoires de vie en sociologie.$2ram
650 6 $aChefs d'orchestre$vBiographies.
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 4 $aBiography.
655 7 $aBiographies.$2lcgft
776 08 $iOnline version:$aSchonberg, Harold C.$tGreat conductors.$dNew York, Simon and Schuster [1967]$w(OCoLC)593551375
938 $aBaker & Taylor$bBKTY$c11.95$d8.96$i0671207350$n0000199422$sactive
938 $aBaker and Taylor$bBTCP$n67019821 /MN
938 $aYBP Library Services$bYANK$n518717
994 $a92$bERR
976 $a31927001049623