MARC Record from Marygrove College

LEADER: 05082cam a2200685 i 4500
001 ocm00608283
003 OCoLC
005 20191109073321.6
008 790809s1949 nyucgh b 000 0 eng
010 $a 48009749
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019 $a6778105$a32709280$a874892842$a976798859$a977176588
020 $a0393097161
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029 1 $aAU@$b000009697961
029 1 $aAU@$b000022463363
029 1 $aAU@$b000058019510
029 1 $aNLGGC$b11266251X
029 1 $aNZ1$b5051138
029 1 $aNZ1$b755713
035 $a(OCoLC)00608283$z(OCoLC)6778105$z(OCoLC)32709280$z(OCoLC)874892842$z(OCoLC)976798859$z(OCoLC)977176588
041 1 $aeng$hger
042 $apcc
050 00 $aMT224$b.B1313 1949
055 3 $aMT224$bB133
082 00 $a786.3
049 $aMAIN
100 1 $aBach, Carl Philipp Emanuel,$d1714-1788,$eauthor,$ecomposer.
240 10 $aVersuch über die wahre Art das Clavier zu spielen.$lEnglish
245 10 $aEssay on the true art of playing keyboard instruments /$cby Carl Philipp Emanuel Bach ; translated and edited by William J. Mitchell, associate professor of music, Columbia University.
250 $aFirst edition.
264 1 $aNew York :$bW.W. Norton & Company,$c[1949]
300 $axiii, 449 pages :$bportrait, facsimiles, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 446-449).
505 0 $aPart I : 1. Fingering -- 2. Embellishments : General ; The appoggiatura ; The trill ; The turn ; The mordent ; The compound appoggiatura ; The slide ; The snap ; The elaboration of fermate -- 3. Performance -- Part II : 4. Intervals and their signatures -- 5. Thorough bass : The triad (I) ; The triad (II) ; The chord of the sixth (I) ; The chord of the sixth (II) ; The diminished triad ; The augmented triad ; The six-four chord (I) ; The six-four chord (II) ; The four-three chord (I) ; The four-three chord (II) ; The six-five chord (I) ; The six-five chord (II) ; The chord of the second (I) ; The chord of the second (II) ; The five-two chord ; The five-four-two chord ; The three-two chord ; The chord of the seventh (I) ; The chord of the seventh (II) ; The seven-six chord ; The seven-four chord ; The chord of the major seventh (I) ; The chord of the major seventh (II) ; The chord of the ninth (I) ; The chord of the ninth (II) ; The nine-six chord ; The nine-four chord ; The nine-seven chord ; The five-four chord -- 6. Accompaniment : The unison ; One-part accompaniment for the left hand ; The organ point ; Appoggiaturas ; Syncopated notes ; The dotted compound appoggiatura ; The dotted slide ; Performance ; Closing cadences ; The fermata ; Some refinements of accompaniment ; Imitation ; Some precautions of accompaniment ; The need for figured basses ; Passing tones ; Chords that precede their bass notes ; The recitative ; Changing notes ; Bass themes -- 7. Improvisation : The free fantasia.
520 $aThe first complete English translation of C.P.E. Bach's instruction book, incorporating all of Bach's alterations, additions, and footnotes into the main text. The incorporations are identified in the editor's notes.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aPiano$xInstruction and study$vEarly works to 1800.
650 0 $aClavichord$xInstruction and study$vEarly works to 1800.
650 0 $aHarpsichord$xInstruction and study$vEarly works to 1800.
650 0 $aMusical accompaniment$vEarly works to 1800.
650 7 $aClavichord$xInstruction and study.$2fast$0(OCoLC)fst00863798
650 7 $aHarpsichord$xInstruction and study.$2fast$0(OCoLC)fst00951665
650 7 $aMusical accompaniment.$2fast$0(OCoLC)fst01030695
650 7 $aPiano$xInstruction and study.$2fast$0(OCoLC)fst01063366
650 7 $aPianos$xInstruction and study$yTo 1800.$2sears
650 07 $aKeyboard instruments$xInstruction and study$xEarly works to 1800.$2wlcarwc
650 07 $aPiano$xInstruction and study$xEarly works to 1800.$2wlcarwc
650 07 $aMusical accompaniment$xEarly works to 1800.$2wlcarwc
655 7 $aEarly works.$2fast$0(OCoLC)fst01411636
700 1 $aMitchell, William J.$q(William John),$d1906-1971,$eeditor,$etranslator.
938 $aBaker & Taylor$bBKTY$c53.25$d53.25$i0393097161$n0000362994$sactive
938 $aBrodart$bBROD$n38351188$c$37.50
938 $aYBP Library Services$bYANK$n334819
994 $a92$bERR
976 $a31927001055257