| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:48198685:3307 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:48198685:3307?format=raw |
LEADER: 03307cam a22006371 4500
001 ocm00728243
003 OCoLC
005 20191109072043.8
007 ta
008 731026s1967 inua b 000 0 eng
010 $a 67022143
040 $aDLC$beng$cDLC$dTEU$dSER$dPCJ$dMUQ$dYDXCP$dWY@$dKIJ$dOCLCF$dOCLCQ$dCNUTO$dDDD$dOCLCA$dLUE$dOCLCQ$dCCH$dOCLCQ$dEUQ$dUKUOY$dU3G$dOCLCQ$dOCLCO
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029 1 $aAU@$b000027085892
029 1 $aHEBIS$b107289849
029 1 $aNZ1$b4123942
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035 $a(OCoLC)00728243$z(OCoLC)727290$z(OCoLC)40809005$z(OCoLC)45917845$z(OCoLC)1001209980$z(OCoLC)1006149745$z(OCoLC)1006480294$z(OCoLC)1008200171$z(OCoLC)1087122114
041 1 $aeng$hger
042 $apremarc
050 00 $aN6310$b.D813
055 03 $aN6310$b.D813
082 0 $a709.02
049 $aMAIN
100 1 $aDvořák, Max,$d1874-1921.
245 10 $aIdealism and naturalism in Gothic art.$cTranslated with notes and bibliography by Randolph J. Klawiter. Pref. by Karl Maria Swoboda.
260 $a[Notre Dame, Ind.]$bUniversity of Notre Dame Press,$c1967.
300 $axxx, 252 pages$billustrations (some color)$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslation of Idealismus und Naturalismus in der gotischen Skulptur und Malerei.
504 $aIncludes bibliographical references.
546 $aTranslation of "Idealismus und Naturalismus in der gotischen Skulptur und Malerei."
520 $a"In his essay on Idealism and naturalism in Gothic sculpture and painting, art is no longer an autonomous phenomenon, but the expression of a 'world view'. The history of art is no longer seen as an unbroken chain of development, but rather as a dialectic process impelled by the 'contrast between the ideational and the material' (Gegensatz zwischen Geist und Materie). Now Dvořák assigned equal importance to naturalism and to its opposite, the fundamentally idealistic character of Gothic art, which he had still vehemently denied in 1904."$b-Excerpt from the essay Max Dvořák and the History of Medieval Art by Hans H. Aurenhammer (see link below).
583 1 $aHeritage$c2016$5UoY
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt, Gothic.
650 0 $aSculpture, Gothic.
650 0 $aIdealism in art.
650 0 $aNaturalism in art.
650 6 $aArt gothique
650 6 $aSculpture gothique
650 6 $aIdéalisme dans l'art
650 6 $aNaturalisme dans l'art
650 7 $aArt, Gothic.$2fast$0(OCoLC)fst00816331
650 7 $aIdealism in art.$2fast$0(OCoLC)fst00966837
650 7 $aNaturalism in art.$2fast$0(OCoLC)fst01034540
650 7 $aSculpture, Gothic.$2fast$0(OCoLC)fst01109680
776 08 $iOnline version:$aDvořák, Max, 1874-1921.$tIdealism and naturalism in Gothic art.$d[Notre Dame, Ind.] University of Notre Dame Press, 1967$w(OCoLC)557776087
856 42 $uhttp://arthistoriography.files.wordpress.com/2011/02/media_152487_en.pdf
938 $aYBP Library Services$bYANK$n287560
994 $a92$bERR
976 $a31927001033718