MARC Record from Marygrove College

LEADER: 03404cam a2200601 a 4500
001 ocm03631253
003 OCoLC
005 20191109073219.2
008 780117s1978 inug b 001 0 eng
010 $a 77094060
040 $aDLC$beng$cDLC$dMUQ$dBTCTA$dYDXCP$dOCLCG$dGEBAY$dEDK$dDEBBG$dGBVCP$dOCLCF$dOCLCQ$dOCLCO$dOCL$dOCLCO$dOCL$dOCLCQ$dOCLCO$dERR$dCPO$dOCLCQ$dMTU$dOCLCA$dOCLCQ
019 $a150846433
020 $a0253337313
020 $a9780253337313
029 1 $aAU@$b000001114548
029 1 $aDEBBG$bBV003319332
029 1 $aDEBSZ$b028001281
029 1 $aGBVCP$b128915021
029 1 $aGEBAY$b11224777
029 1 $aHEBIS$b106850334
029 1 $aNZ1$b2656257
035 $a(OCoLC)03631253$z(OCoLC)150846433
050 00 $aML172$b.C28 1978
082 00 $a780/.902
084 $a24.50$2bcl
084 $aLP 19503$2rvk
084 $aLP 19502$2rvk
084 $a9,2$2ssgn
049 $aMAIN
100 1 $aCaldwell, John,$d1938-
245 10 $aMedieval music /$cJohn Caldwell.
260 $aBloomington, IL :$bIndiana University Press,$c©1978.
300 $a304 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 260-274 and indexes).
505 0 $aList of tables -- Preface -- 1: Chant of the Latin liturgies to c 950 -- 2: Later Latin chant and derivative forms -- 3: Profane and vernacular monophonic song -- 4: Growth of polyphony, 900-1160 -- 5: Ars antiqua, 1160-1316 -- 6: French music in the fourteenth century -- 7: Italian music in the fourteenth century -- 8: English music from the Norman Conquest to the death of Dunstable -- 9: Fifteenth century, especially in France and the Low Countries -- Bibliography -- Indexes.
520 $aPreface: In writing this book I have had in mind the needs of undergraduates and others who require a straightforward account of medieval music, above all in its technical aspects. There is in these pages little biography and almost no sociology, topics on which others are better equipped to write; on the other hand considerable attention is paid to notation, so often the key to musical style. I have regarded the Middle Ages as a phenomenon of the Christian West, with the consequent omission of Byzantine chant (except in passing in connection with the subject of modes), not to mention the music of Islam and 'medieval' oriental music generally. This has excluded the possibility of comparisons between these musical cultures and that of the West; but apart from my own lack of expertise it has to be confessed that this is an area in which subjective opinion counts for much and in which very little can be demonstrated with confidence. -- John Caldwell.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMusic$y500-1400$xHistory and criticism.
650 6 $aMusique$y500-1400$xHistoire et critique.
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aMusik$2gnd
648 7 $aGeschichte 800-1500$2swd
648 7 $a500-1400$2fast
653 0 $aMusic$a500-1400$aHistory and criticism
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBaker and Taylor$bBTCP$n77094060 //r063
938 $aYBP Library Services$bYANK$n143631
994 $a92$bERR
976 $a31927000144508