| Record ID | marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:91893095:3822 |
| Source | Marygrove College |
| Download Link | /show-records/marc_marygrove/marygrovecollegelibrary.full.D20191108.T213022.internetarchive2nd_REPACK.mrc:91893095:3822?format=raw |
LEADER: 03822cam a2200877 a 4500
001 ocm12583528
003 OCoLC
005 20191109073228.1
008 831215s1984 nyua b 001 0beng
010 $a 83051330
040 $aDLC$beng$cDLC$dUKM$dEQA$dDGW$dOCL$dOCLCQ$dBTCTA$dYDXCP$dOCLCG$dBAKER$dAU@$dHIL$dGEBAY$dZWZ$dBDX$dOCLCO$dFNJ$dOCLCF$dOCLCQ$dOCLCO$dUKMGB$dOCLCQ$dDEBBG$dNLGGC$dFNP$dOCLCO$dOCLCA$dOCLCQ$dMNI$dOCLCA$dJDP$dOCL$dBOS$dOCLCO$dCSA$dOCLCA$dOCL$dOCLCO$dDCT$dUKBTH$dOCL
015 $aGB8521864$2bnb
016 7 $a008745089$2Uk
016 7 $a012324885$2Uk
019 $a10991370$a11614206$a12501018
020 $a0500201951$q(pbk.)
020 $a9780500201954$q(pbk.)
029 1 $aAU@$b000003683458
029 1 $aAU@$b000026298470
029 1 $aDEBBG$bBV000438413
029 1 $aGEBAY$b459268
029 1 $aNLGGC$b380363690
029 1 $aNOK$b0500201951
029 1 $aNZ1$b2778592
029 1 $aNZ1$b407402
029 1 $aUKBCI$b000566365
029 1 $aUKBNS$b000566365
029 1 $aUKDEL$b000566365
029 1 $aUKPTR$b0500201951
029 1 $aUKSCO$b000566365
029 1 $aUKSGC$b000566365
029 1 $aUKSOM$b000566365
029 1 $aUNITY$b000566365
029 1 $aZWZ$b046087745
035 $a(OCoLC)12583528$z(OCoLC)10991370$z(OCoLC)11614206$z(OCoLC)12501018
043 $ae-ne---
050 00 $aN6953.R4$bW48 1984
050 14 $aND653.R4
080 $a75(437)REM
080 0 $a750.034REM
082 00 $a759.9492
082 04 $a760/.092/4$aB$219
084 $aLI 71005$2rvk
049 $aMAIN
100 1 $aWhite, Christopher,$d1930-
245 10 $aRembrandt /$cChristopher White.
260 $aNew York :$bThames and Hudson,$c1984.
300 $a216 pages :$billustrations (some color) ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aWorld of art
504 $aIncludes bibliographical references (pages 213-214) and index.
505 0 $aA provincial youth -- Amsterdam and prosperity -- A change in direction -- New patrons and new companions -- In adversity, immortality.
520 $aRembrandt is among the few outstanding artists of universal appera. Yet he remains an elusive figure, too often the subject of romantic interpretation. The author firmly bases this study on the known facts, and builds a sensitive, accurate portrait of his life and work. He describes the happiness of Rembrandt's marriage, cut short by his wife's death, and discusses the catastrophe of his bankruptcy. The author suggests the psychological factors that may have awakened his sudden interest in landscapes and delineates the last decade, in which he retreated into the private world of his imagination.
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669.
600 04 $aRembrandt.
600 07 $aRembrandt Harmenszoon van Rijn,$d1606-1669.$2fast$0(OCoLC)fst00047043
600 07 $aRembrandt$cHarmensz van Rijn$d1606-1669$2gnd
600 07 $aRembrandt,$d(1606-1669)$xCritique et interprétation.$2ram
600 17 $aRembrandt (Harmensz van Rijn)$2swd
650 0 $aArtists$zNetherlands$vBiography.
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
651 7 $aNetherlands.$2fast$0(OCoLC)fst01204034
653 $aDutch paintings$aRembrandt - Critical studies
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aBiographies.$2lcgft
830 0 $aWorld of art.
938 $aBaker & Taylor$bBKTY$c14.95$d11.21$i0500201951$n0000888943$sactive
938 $aBrodart$bBROD$n36135402$c$14.95
938 $aBaker and Taylor$bBTCP$n83051330 //r89$c$9.95
938 $aYBP Library Services$bYANK$n435897
994 $a92$bERR
976 $a31927000187713