Record ID | marc_miami_univ_ohio/allbibs0179.out:12716653:2638 |
Source | Miami University of Ohio |
Download Link | /show-records/marc_miami_univ_ohio/allbibs0179.out:12716653:2638?format=raw |
LEADER: 02638pam 22003134a 45 0
001 ocm56982394
005 20050707000000.0
008 041110s2005 nyua b 001 0 eng
010 $a2004026658
020 $a0415926696 (hardback : alk. paper)
020 $a041592670X (pbk. : alk. paper)
040 $aDLC$cDLC$dYDX
041 1 $aeng$hger
042 $apcc
049 $aMIAA
050 00 $aND653.R4$bS513 2005
100 1 $aSimmel, Georg,$d1858-1918
240 10 $aRembrandt.$lEnglish
245 10 $aRembrandt :$ban essay in the philosophy of art /$cGeorg Simmel ; translated and edited by Alan Scott and Helmut Staubmann ; with the assistance of K. Peter Etzkorn
260 $aNew York :$bRoutledge,$c2005
300 $axix, 177 p. :$bill. ;$c24 cm
504 $aIncludes bibliographical references (p. 173-174) and index
505 0 $aThe expression of inner life -- Continuity of life and the movement of expression -- Being and becoming in a portrait -- The series of portraits and drawings -- Reserve and openness of the portrait figure -- The circle in the depiction of a person -- The animation of the portrait -- Subjective realism and the self-portrait -- Artistic procreation -- Life's past in the painting -- The representation of movement -- The unity of the composition -- Clarity and detailing -- Life and form -- Individualization and the general -- Type and representation -- Conceptions of life -- Observations on the individuality of form and on pantheism -- Death -- Character -- Beauty and perfection -- The individuality of the Renaissance and of Rembrandt -- Types of generality -- The art of old age -- The aspatial gaze -- Mood -- Human fate and the Heraclitean cosmos -- Religious art -- Objective and subjective religion in art -- Piety -- Concrete existence and religious life -- The type of unity in the religious paintings -- Individual religiosity, mystique and Calvinism -- Inner quality [seelenhaftigkeit] -- Religious-artistic creation -- Light: its individuality and immanence -- Excursus: what do we see in a work of art? -- Dogmatic contents -- In conclusion -- The capacity to create and to fashion -- Antitheses in art -- Appendix: works of art mentioned in the text with their dates and current locations -- References for the editor's introduction and footnotes
600 00 $aRembrandt Harmenszoon van Rijn,$d1606-1669$xCriticism and interpretation
650 0 $aArt$xPhilosophy
907 $a.b33660803$b07-28-05$c07-08-05
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