| Record ID | marc_miami_univ_ohio/allbibs0184.out:11511010:2541 |
| Source | Miami University of Ohio |
| Download Link | /show-records/marc_miami_univ_ohio/allbibs0184.out:11511010:2541?format=raw |
LEADER: 02541pam 22003254a 45 0
001 ocm61162096
005 20051122000000.0
008 050719s2005 nyuab b 001 0deng
010 $a2005020431
020 $a1580462073 (hardcover : alk. paper)
040 $aDLC$cDLC$dYDX$dBAKER
042 $apcc
043 $ae-sw---$ae-fi---$aeb-----
049 $aMIAA
050 00 $aML410.W12$bS87 2005
100 1 $aSalmi, Hannu
245 10 $aWagner and Wagnerism in nineteenth-century Sweden, Finland, and the Baltic Provinces :$breception, enthusiasm, cult /$cHannu Salmi
260 $aRochester, NY :$bUniversity of Rochester Press,$c2005
300 $ax, 310 p. :$bill., 1 map ;$c24 cm
440 0 $aEastman studies in music,$x1071-9989 ;$vv. 34
504 $aIncludes bibliographical references (p. [285]-298) and index
505 0 $aRichard Wagner, the wandering musician. Around the Baltic Sea ; "The Siberia of Prussia" ; The Riga years -- Wagner as an orchestral and drawing room composer. Musical networks ; Commodifying Wagner's innovations ; Entering the concert scene -- The first steps in the cultural struggle. Riga as a Wagner center ; Lohengrin in Livonia ; "Living in the past" : Estonian responses ; Alone in the temple of Thalia : Tannhäuser in Helsinki -- Ent'racte : Wagner's promotional tour in Russia (1863). Concerts and controls ; "Adieu, charmant pays!" -- Cries and whispers : early Swedish encounters with Wagner. "Oh! Wagner, Wagner! I must cry out!" ; Rienzi as Zukunftsmusik -- Institutionalizing a composer. "The emperor of new German music" ; The mastersingers of Riga ; "Shrieks and signals" ; History writing and legitimation -- Pilgrimage to Wagner. The founding of the Bayreuth Festival ; Tourists on the Green Hill ; The cultural and social boundaries of Wagnerism -- The campaigners for Bayreuth. Patrons, agents, societies ; Almost a relative : Fredrik Vult von Steijern ; The representatives of Finland : Richard Faltin and Martin Wegelius ; Carl Friedrich Glasenapp and the Riga Wagner Society -- Conclusion : the final chord
600 10 $aWagner, Richard,$d1813-1883$xPerformances$zSweden
600 10 $aWagner, Richard,$d1813-1883$xPerformances$zFinland
600 10 $aWagner, Richard,$d1813-1883$xPerformances$zBaltic Provinces (Russia)
650 0 $aOperas$y19th century$xPerformances
907 $a.b34185008$b07-14-06$c11-23-05
998 $amul$b11-30-05$cm$da$e-$feng$gnyu$h0$i0
947 $acak
945 $g1$i35054029370331$j0$lmuli $o-$p$0.00$q-$r-$s-$t0$u0$v0$w0$x0$y.i43514170$z11-30-05