| Record ID | marc_nuls/NULS_PHC_180925.mrc:102135793:1651 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:102135793:1651?format=raw |
LEADER: 01651cam 2200361 a 4500
001 9919580640001661
005 20150423121420.0
008 100628s2010 enka b 001 0 eng
010 $a 2010027524
019 $a635463608
020 $a9780230230491
020 $a0230230490
035 $a(CSdNU)u420841-01national_inst
035 $a(OCoLC)647976796
035 $a(OCoLC)647976796
035 $a(OCoLC)647976796
040 $aDLC$cDLC$dYDX$dYDXCP$dBWK$dUKM$dBTCTA
043 $an-us---
049 $aCNUM
050 00 $aPN1995.9.M86$bK48 2010
082 00 $a791.43/6$222
100 1 $aKessler, Kelly,$d1972-
245 10 $aDestabilizing the Hollywood musical :$bmusic, masculinity and mayhem /$cKelly Kessler.
260 $aBasingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2010.
300 $axiii, 256 p. :$bill ;$c23 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : The musical and masculinity take a turn for the ambivalent -- Nothing is comin' up roses : the desertion of narrative utopia -- On a clear day you can see the cracks in the scenery: visual reflexivity and realism trump nostalgic idealism -- Wanna sing and dance? these new guys are ambivalent about it -- The new guard's musical masculinity -- Epilogue : I could go on singing.
650 0 $aMusical films$zUnited States$xHistory and criticism.
650 0 $aMasculinity in motion pictures.
947 $fCOLS-LIT$hCIRCSTACKS$p$73.10$q1
949 $aPN1995.9.M86 K48 2010$i31786102521462
994 $a92$bCNU
999 $aPN 1995.9 .M86 K48 2010$wLC$c1$i31786102521462$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u1/6/2011