| Record ID | marc_nuls/NULS_PHC_180925.mrc:108722226:1246 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:108722226:1246?format=raw |
LEADER: 01246cam 2200289 a 4500
001 9921246900001661
005 20150423133855.0
008 980311s1998 maua b 001 0 eng
010 $a 98017339
020 $a0262194031 (hc. : alk. paper)
035 $a(CSdNU)u73433-01national_inst
035 $a(OCoLC)38853950
035 $a(Sirsi) 01-AAH-8353
040 $aDLC$cDLC$dC#P
049 $aCNUM
050 00 $aPN1995$b.S513 1998
082 00 $a791.43/01$221
100 1 $aSinger, Irving.
245 10 $aReality transformed :$bfilm as meaning and technique /$cIrving Singer.
260 $aCambridge, Mass. :$bMIT Press,$cc1998.
300 $axiv, 216 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [201]-210) and index.
505 0 $aRealism vs. formalism -- Appearance and reality -- The Purple rose of Cairo -- The visual and the literary -- Death in Venice -- Communication and alienation -- The rules of the game -- Cinematic transformation.
650 0 $aFilm criticism$xPhilosophy.
948 $a10/13/1999$b10/13/1999
997 $as
999 $aPN 1995 S513 1998$wLC$c1$i31786101091939$d7/19/2004$f7/19/2004$g1 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u2/12/1999$o.STAFF. Pieces: 00001