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MARC Record from marc_nuls

Record ID marc_nuls/NULS_PHC_180925.mrc:133020700:2962
Source marc_nuls
Download Link /show-records/marc_nuls/NULS_PHC_180925.mrc:133020700:2962?format=raw

LEADER: 02962cam 2200361 i 4500
001 9925415707101661
005 20191217094026.0
008 190309t20192019njua e b 001 0 eng c
020 $a9780691156521$q(hbk. ;$qacid-free paper)
020 $a0691156522$q(hbk. ;$qacid-free paper)
035 $a99982523592
035 $a(OCoLC)1089438714
035 $a(OCoLC)on1089438714
040 $aYDX$beng$erda$cYDX$dUKMGB$dOCLCO$dOCLCF$dPUL$dCDX$dOCLCQ$dBKL$dFSJ$dNYP
042 $apcc
050 4 $aN7480$b.W673 2019
082 04 $a709$223
100 1 $aWood, Christopher S.,$eauthor.
245 12 $aA history of art history /$cChristopher S. Wood.
264 1 $aPrinceton :$bPrinceton University Press,$c[2019]
264 4 $c℗♭2019
300 $a461 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"In this wide-ranging and authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late Middle Ages through the rise of the modern scholarly discipline of art history. Synthesising and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline"--$cProvided by publisher.
520 $a"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich W ̐ưolfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
504 $aIncludes bibliographical references (pages 409-443) and index.
650 0 $aArt$xHistoriography.
650 0 $aArt$xHistory.
947 $hCIRCSTACKS$r31786103146087
980 $a99982523592