| Record ID | marc_nuls/NULS_PHC_180925.mrc:152686811:2479 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:152686811:2479?format=raw |
LEADER: 02479cam 22003734a 4500
001 9921837330001661
005 20150423141118.0
008 110502s2012 nju b 001 0 eng
010 $a 2011018691
020 $a9780691150765 (hardcover : alk. paper)
020 $a0691150761 (hardcover : alk. paper)
024 8 $a40020528634
035 $a(CSdNU)u512044-01national_inst
035 $a(OCoLC)720635042
035 $a(OCoLC)720635042
040 $aDLC$beng$cDLC$dYDX$dUKMGB$dPUL$dYDXCP$dBWX$dOHRRH$dCOO$dIG#$dIAK$dKLM $dDEBBG$dYUS$dSTF$dTDF$dIOH
042 $apcc
049 $aCNUM
050 00 $aML3918.P67$bL46 2012
082 00 $a781.64$223
084 $a9,2$2ssgn
100 1 $aLena, Jennifer C.
245 10 $aBanding together :$bhow communities create genres in popular music / $cJennifer C. Lena.
260 $aPrinceton, N.J. :$bPrinceton University Press,$cc2012.
300 $axii, 242 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. 171-231) and index.
505 0 $aMusic genres. What is a theory of sociocultural classification? ; What are genre forms and how are they identified? ; Organizations and money ; Genre ideals and style ; What genres are not ; Outline of the book -- Three musics, four genres : rap, bluegrass, and bebop jazz. Avant-garde genres ; Scene-based genres ; Industry-based genres ; Traditionalist genres ; After the tradition ; Conclusion -- Music trajectories. Two genre trajectories ; Scene-based origins ; IST trajectories ; On genre trajectories ; Inhibiting factors on musical trajectories ; Absorption into other musics, other streams ; Niche music ; The racist organization of musical production ; Conclusion -- The government-purposed genre. Attributes of government-purposed genres ; China ; Chile ; Nigeria ; Serbia ; Conclusion -- On classification systems. Classification in music ; Toward a model of classification systems ; On science, markets, and memory ; The future of music ; In closing.
520 $aCovering the growth of twentieth-century American popular music, this work explores the question of why some music styles attain mass popularity while others thrive in small niches.
650 0 $aPopular music$xSocial aspects.
650 0 $aPopular music genres.
947 $fHUMANITIES$hCIRCSTACKS$p$30.10$q1
949 $aML3918.P67 L46 2012$i31786102809818
994 $a92$bCNU
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