Record ID | marc_nuls/NULS_PHC_180925.mrc:161362475:2732 |
Source | marc_nuls |
Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:161362475:2732?format=raw |
LEADER: 02732cam 22003494a 4500
001 9921783480001661
005 20150423140855.0
008 060606s2006 ncua bq 001 0 eng
010 $a 2006018727
020 $a0786426160 (softcover : alk. paper)
024 3 $a9780786426164
035 $a(CSdNU)u286506-01national_inst
035 $a(OCoLC)70045998
035 $a(OCoLC)70045998
040 $aDLC$cDLC$dBAKER$dC#P$dOrLoB-B
049 $aCNUM
050 00 $aPN1995.9.F65$bK45 2006
082 00 $a91.43/6559$222
100 1 $aKeller, James R.,$d1960-
245 10 $aFood, film and culture :$ba genre study /$cJames R. Keller.
260 $aJefferson, N.C. :$bMcFarland & Co.,$cc2006.
300 $avi, 209 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 197-202) and index.
504 $aIncludes filmography: p. 195-196.
505 0 $aIntroduction : the cinematic hunger artists -- 1. The allegory of intemperance : Spenser and Greenaway's : The cook, the thief, his wife, and her lover -- 2. Itzam revealed : Chocolat and the Mayan cosmology -- 3. Scotland, PA : Macbeth, McMeat and McMurder -- 4. Four little Caligulas : La Grande Bouffe, consumption and male masochism -- 5. What's cooking? : multiculturalism and holiday histrionics or a banquet of shouting -- 6. Mostly Martha : appe/type and stereo/tite -- 7. "Culinizing" the female form : Felicia's journey, predation, and cultural imperialism -- 8. Dreaming of the pure vegetable kingdom : ecofeminism and agriculture in A thousand acres and Antonia's line -- 9. The kitchen panopticon : indeterminacy and the myth of objective surveillance -- 10. Filming and eating Italian : Big night and Dinner rush -- 11. A chef in love : the fable of a communist and culinary re-evolution -- 12. The artist in exile : Babette's and "Alexander's feast" -- 13. Family suppers and the social syntax of dissimilation -- 14. Food fights : the martial chefs and magical arts of Asian cinema -- App. Food films.
520 $a"Culinary imagery, much like sexual and violent imagery, is a key cinematic device used to elicit a sensory response from an audience. This book defines the food film genre, and analyzes the relationship between cinematic food imagery and various cultural constructs, including politics, family, identity, race, ethnicity, nationality, gender and religion"--Provided by publisher.
650 0 $aFood in motion pictures.
938 $aBaker & Taylor$bBKTY$c35.00$d35.00$i0786426160$n0006799047$sactive
947 $fCOLS-LIT$hCIRCSTACKS$p$35.00$q1
949 $aPN 1995.9.F65 K45 2006$i31786102311195
994 $a92$bCNU
999 $aPN 1995.9 .F65 K45 2006$wLC$c1$i31786102311195$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u11/15/2006