| Record ID | marc_nuls/NULS_PHC_180925.mrc:176306674:4929 |
| Source | marc_nuls |
| Download Link | /show-records/marc_nuls/NULS_PHC_180925.mrc:176306674:4929?format=raw |
LEADER: 04929cam 2200517 a 4500
001 9920461370001661
005 20161129135716.0
008 971008s1998 enka b 001 0 eng
010 $a 97044590
015 $aGB98-21121
019 $a38883959$a60152024
020 $a0198711158 (hardcover)
020 $a0198711247 (pbk.)
029 1 $aUKM$bb9821121
029 1 $aNLGGC$b163271569
029 1 $aYDXCP$b100101080
029 1 $aYDXCP$b100104741
035 $a(CSdNU)u289079-01national_inst
035 $a(OCoLC)37792621
035 $a(OCoLC)37792621
035 $a(OCoLC)37792621$z(OCoLC)38883959$z(OCoLC)60152024
040 $aDLC$cDLC$dUKM$dZGM$dJYJ$dBAKER$dUKV3G$dNLGGC$dBTCTA$dYDXCP$dLVB
049 $aCNUM
050 00 $aPN1995$b.O93 1998
082 00 $a791.43/01/5$221
084 $a24.32$2bcl
245 04 $aThe Oxford guide to film studies /$cedited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, E. Ann Kaplan, Paul Willemen.
260 $aOxford ;$aNew York :$bOxford University Press,$c1998.
300 $axxii, 624 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction to film studies / Richard Dyer -- The film text and film form / Robert P. Kolker -- Film acting / Paul McDonald -- Film costume / Pamela Church Gibson -- Film music / Claudia Gorbman -- Classic film theory and semiotics / Antony Easthope -- Formalism and neo-formalism / Ian Christie -- Impressionism, surrealism and film theory / Robert B. Ray -- Film and psychoanalysis / Barbara Creed -- Post-structuralism and deconstruction / Peter Brunette -- Film and postmodernism / John Hill -- Marxism and film / Chuck Kleinhans -- Feminism and film / Patricia White -- Gay and lesbian criticism / Anneke Smelik -- Queer theory / Alexander Doty -- Pornography / Laura Kipnis -- Race, ethnicity, and film / Robyn Wiegman -- Film and cultural identity / Rey Chow -- Film and history / Dudley Andrew -- Sociology and film / Andrew Tudor -- Cultural studies and film / Graeme Turner -- Film audiences / Jostein Gripsrud -- Hermeneutics, reception aesthetics and film interpretation / Noel King -- American cinema and film history / John Belton -- History and cinema technology / Duncan Petrie -- Hollywood as industry / Douglas Gomery -- Early American film / Tom Gunning -- Classical Hollywood film and melodrama / E. Ann Kaplan -- Post-classical Hollywood / Peter Kramer -- Authorship and Hollywood / Stephen Crofts -- Genre and Hollywood / Tom Ryall -- The star system and Hollywood / Jeremy G. Butler -- Hollywood film and society / Douglas Kellner -- Film policy : Hollywood and beyond / Albert Moran -- Hollywood and the world / Toby Miller -- Concepts of national cinema / Stephen Crofts -- Modernism and the avant-gardes / Murray Smith -- Realism, modernism, and post-colonial theory / Ashish Rajadhyaksha -- The documentary / John Izod and Richard Kilborn -- The animated film / Michael O'Pray -- Issues in European cinema / Ginette Vincendeau -- The avant-gardes and European cinema before 1930 / Ian Christie -- Italian post-war cinema and Neo-Realism / Simona Monticelli -- The French nouvelle vague / Jill Forbes -- New German cinema / Ulrike Sieglohr -- East Central European cinema / Daniel J. Goulding -- European film policy and the response to Hollywood / Armand Mattelart -- Directors and stars : Jean Renoir / Keith Reader ; Ingmar Bergman / Chris Darke ; Chantal Akerman / Cathy Fowler ; Pedro Almodovar / Jose? Arroyo ; Luc Besson / Susan Hayward -- Brigitte Bardot / Ginette Vincendeau -- British cinema / Andrew Higson -- Ireland and cinema / Martin McLoone -- Australian cinema / Elizabeth Jacka -- Canadian cinema / Will Straw -- Issues in world cinema / Wimal Dissanayake -- Indian cinema / Ashish Rajadhyaksha -- Chinese cinema / Berenice Reynaud -- Hong Kong cinema : Discovery and pre-discovery / Stephen Teo ; China and 1997 / N.K. Leung -- Taiwanese new cinema / Kuan-Hsing Chen -- Japanese cinema / Freda Freiberg -- African cinema / N. Frank Ukadike -- South American cinema / Julianne Burton-Carvajal -- Film and changing technologies / Laura Kipnis -- Film and television / John Hill.
650 0 $aFilm criticism.
650 0 $aMotion pictures.
650 17 $aFilmkunst.$2gtt
650 6 $aCritique cinematographique.
650 6 $aCinema.
700 1 $aHill, John$q(W. John)
700 1 $aGibson, Pamela Church.
938 $aBaker & Taylor$bBKTY$c99.95$d99.95$i0198711158$n0003078629$sactive
938 $aBaker & Taylor$bBKTY$c56.95$d56.95$i0198711247$n0003078630$sactive
938 $aBaker and Taylor$bBTCP$n97044590
938 $aYBP Library Services$bYANK$n100104741
947 $fCOLS-LIT$hCIRCSTACKS$p$54.10$q1
949 $aPN 1995 .O93 1998$i31786102253231
994 $a92$bCNU
999 $aPN 1995 .O93 1998$wLC$c1$i31786102253231$d5/26/2010$lCIRCSTACKS$mNULS $q1$rY$sY$tBOOK$u1/11/2007