MARC Record from marc_nuls

LEADER: 02257cam 2200385Ia 4500
001 9920373670001661
005 20150423125653.0
008 090524s2009 enka bq 000 0 eng d
019 $a226360295
020 $a1905674856 (pbk.)
020 $a9781905674855 (pbk.)
020 $a1905674864 (hbk.)
020 $a9781905674862 (hbk.)
035 $a(CSdNU)u361030-01national_inst
035 $a(OCoLC)352540971
035 $a(OCoLC)352540971
035 $a(OCoLC)352540971$z(OCoLC)226360295
040 $aBWK$cBWK$dIAD$dUAT$dOCLCQ$dYDXCP$dBTCTA$dBAKER$dOrLoB-B
049 $aCNUM
050 4 $aPN1995$b.R639 2009
082 04 $a808.823
100 1 $aRombes, Nicholas.
245 10 $aCinema in the digital age /$cNicholas Rombes.
260 $aLondon ;$aNew York :$bWallflower Press,$c2009.
300 $aix, 171 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 161-171).
504 $aIncludes filmography: p. 157-160.
505 0 $aThe Adorno Paradox -- Against Method -- Analogue/Digital Splice -- Boredom and Analogue Nostalgia -- The Digital Spectacular -- Disposable Aesthetics -- DV Humanism -- Filmless Films -- Frame Dragging -- The Ideology Of The Long Take -- Image/Text -- Incompleteness -- Interfaces -- iPod Experiment -- Ironic Mode -- Looking At Yourself Looking: Avatar As Spectator -- Media As Its Own Theory -- Mobile Viewing -- Moving Space In The Frame, And A Note On Film Theory -- Natural Time -- Nonlinear -- Pausing -- Punk -- Realism -- Real Time -- The Real You -- Remainders -- Sampling -- Secondary Becomes Primary -- Self-deconstructing Narratives -- Shaky Camera -- Shoot! [Si Gira] -- Simultaneous Cinema -- Small Screens -- Target Video -- Time, Memory -- Time-Shifting -- Tmesis: Skimming And Skipping -- Undirected Films -- Viewer Participation -- Virtual Humanism: Part 1 -- Virtual Humanism: Part 2 -- Visible Language, Spring 1977.
650 0 $aMotion pictures$xTechnological innovations.
650 0 $aDigital cinematography.
650 0 $aDigital media$xInfluence.
947 $fCOLS-LIT$hCIRCSTACKS$p$24.70$q1
949 $aPN 1995 .R639 2009$i31786102384820
994 $a92$bCNU
999 $aPN 1995 .R639 2009$wLC$c1$i31786102384820$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u8/4/2009